テオドール・フィッシャーの建築意匠の理念的背景について : 20世紀初頭ドイツの建築改革運動に関する研究 その2

抄録

This paper is to analyze the design and writings of Theodor Fischer (1864-1938) to clarify his architectural ideas. The substance of the analyses in this paper is as follows: 1) extraction of the formative characteristics of his design 2) analysis of the key-words in his early writings: "Einheit (unity)", "naturliches Empfinden (natural feeling)" and "malerisches (picturesque)" effect 3) analysis of the conception "Raum (space/room)" to make clear the change of the construction of his architectural idea in 1910's 4) As results of these analyses, a position of the conception "Raum" in his architectural idea and its relation to the conception "Tradition", discussed in my last paper, is made clear as a basic construction of his architectural idea.