1997 年 62 巻 496 号 p. 223-229
In this study Mies van der Rohe's impressive perspectives in the projects for two country houses in 1920s are analyzed and reconstructed in three dimension, and then redrawn by computer graphics. In this process there were found formal differences between perspectives and model photos or plan. Then it is found that Mies was influenced by the Expressionism although controlled carefully, and that he tried to establish the new architectural aesthetics through introducing picturesque architectural composition from the tradition of Berlin Neoclassicism, and concluded that the perspective played a certain role in the formation of design method of Mies.