This paper analyzes the Noh space which set up at exhibitions of early Meiji era, including its relationship with the distinguished guest such as the Emperor Meiji or the royalty arrival. Noh space was not established at all of the exhibitions, so I take up the Kyoto, Osaka exhibition and Kanazawa, Nagoya museum where the Noh spaces were able to confirm. I analyze the layout of Noh space at the exhibitions, its spatial structure and the erection process. I examine the significance of exhibition from the angle of entertainment establishment which was never picked up. There is a characteristic at the point that used the newspaper articles to develop the process of the establishment of Noh space.
