寸法配列における多声音楽的手法の抽出

――《ラ・トゥーレット修道院》における《波動ガラス面》の記譜法による分析――

抄録

This study aims to analyze “pans de verre ondulatoires” of “Couvent de La Tourette ,” designed by Iannis Xenakis under Le Corbusier, by using a novel visualization method that transforms the width into the vertical axis, and clarify the specific techniques that contribute to its musical characteristics.

While previous studies have pointed out the similarity with his “stochastic method” based on mathematics, the result reveals commonalities with the polyphonic theories such as counterpoint. This result confirms that Xenakis’ musical and architectural theory based on “hors-temps” structure does not simply deny the traditional “en-temps” systems, but rather extends it.