This paper aims to clarify the representations of Kazuo Shinohara’s published floor plan drawings by focusing on the patterns of changes made during the republication process. Based on the changes clarified in the previous paper, the typical changes are classified as patterns, and divided into “outline” and “symbol.” Secondly, the patterns in each work are analyzed chronologically, and the differences between the patterns for each “style” are identified. This demonstrates how the plans had changed to reflect Shinohara’s narratives on his own work.
