映画英語教育研究 : 紀要
Online ISSN : 2433-1929
Print ISSN : 1342-9914
会話の非流暢性の機能 : 『日の名残り』を通して
林 裕二
著者情報
ジャーナル フリー

16 巻 (2011) p. 65-78

詳細
PDFをダウンロード (1927K) 発行機関連絡先
抄録

The purpose of this paper is to demonstrate how and why native speakers of English use dysfluencies such as 'er', 'erm', '...' , repeats and repair. Comparison between Kazuo Ishiguro's novel, The Remains of the Day (1989) and its film (1993) reveals that the film has a larger number of dysfluencies and a larger variety of dysfluencies than the novel. Never being at the end of sentences, filled pauses (= um, er, erm) signal that the speaker is still holding the floor. Concordance among hesitation pauses (=...) and filled pauses shows there is no repetition of the same dysfluency. Filled pauses are most frequently followed by ... (pause). Longer concordances, expanded to left 5 and right 5, help us understand that discourse markers such as 'and', 'but', 'well' often collocate with pauses. Several case studies confirm that when you face the need to keep saying what you want to say and plan what to say next at the same time, you hesitate, which implies to your listener that new information is upcoming. The more demanding your need of doing the two different jobs at a time becomes, the less fluently you speak, producing more dysfluencies, discourse markers, and vocatives.

著者関連情報
© 2011 映画英語教育学会
前の記事 次の記事

閲覧履歴
feedback
Top