美学
Online ISSN : 2424-1164
Print ISSN : 0520-0962
ISSN-L : 0520-0962
ナンシー・ホルト《暗黒星の公園》(一九七九─一九八四)についての考察─パブリック・アートとしてのアースワーク─
松本 理沙
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ジャーナル フリー

2022 年 73 巻 1 号 p. 48-58

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This paper analyzes Dark Star Park (1979-1984) by Nancy Holt in terms of the social and cultural context of the community and the visual experience and solar cycle time that characterize her earthworks. First, this essay demonstrates that the work in question was a part of an urban development project in Rosslyn. Holt realized that no park would be created within it and felt that it was forgetting people. Therefore, she built the park so that people could walk through and have myriad visual experiences. Furthermore, Dark Star Park also serves as a historical representation. The shadows cast by the poles and spheres that comprise this work align with the shadow pattern of the asphalt on the ground at approximately 9:32 a.m. on August 1 each year. This is the day that William Henry Ross acquired the property in 1860 and it became known as Rosslyn. However, when one focuses on the actual experience of August 1, the work abandons the clocklike equality of time and allows the viewer to experience being caught up in the time of the sun. Thus, Dark Star Park is characterized by community engagement and earthwork.
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