無意識の二重性と創造原理

（日本映像学会第七回大会研究発表）

抄録

 The intervention of unconsciousness in the arts of visual image is characterized by its dual nature. One way in which the intervention occurs is by the inertia in terms of ideation or sensitivity which is structured and, ordained profoundly by the system of language, is integrated by the signifié. This is a function of unconsciousness which tries to formulate the various relationships into semantic schema.

 Another way in which the intervention occurs is as phenomena beyond structurization like events or performances through other indivisuals or chances, which is brought forth by the signifiant with the involvement of corporal or material properties. This is a function of unconsciousness which demands change or generates something new in the various relationships.

 It is this conflicting state of two intervening unconsciousness that brings about the chance of opening a cleavage in the system. Here the automatized relationships of the signifiant and the signifié slackens and the signifiant emerges to the foreground. In the delaying of the process of the signifiant arriving at a meaning as long as it can endure, allowing the play among the flocks of signifiants in suspention, lies the fundamental grounds for activating creativity in the visual image.