2015 年 124 巻 2 号 p. 177-209
This paper attempts to elicit the reality of the Hapsburg Empire's global seafaring prowess despite its reputation as a mainly continental power, in light of historical findings that an Imperial warship had been stationed in the seas of East Asia approximately 100 years ago. Research regarding Western navies stationed overseas has in the past focused largely on their use as a means of military competition or imperialistic ambitions toward the non-Western world. However, here the author points to another purpose with which warships were deployed overseas; namely, to serve as media for promoting international relations within the daily routine of peacetime conditions. After outlining the deployment system of warships outside of the region of Europe, and the reasons, circumstances and substance of the Hapsburg Empire's stationing of a warship in East Asian waters, the author turns to the specific duties of the ship, in particular, how it performed the very important duty of any Western navy in protecting its country's citizen and commercial interests in the region. However, since the Hapsburg Empire had no overseas interests or citizens to protect in East Asia, it was impossible for the Austro-Hungarians to set up a system of direct protection like that of the other major powers, due mainly to its unique position in having only a single warship to accommodate such needs. The author then addresses the subject of goodwill exchange, which he considers to be the most important daily routine of the Hapsburg warship, and looks there for the ultimate reason for stationing it in East Asian waters. Finally, he focuses on the military band on board the ship, in order to clarify the fact that the Hapsburg Empire was concerned in identifying with maritime coastal society in East Asia through the medium of music. The Hapsburg Empire thus intended to adapt to the imperial order as a major power in East Asia by carefully cultivating various daily peacetime routines.