貞享・元禄期の江戸の楽器職人と楽器商について
地誌類による
1999 年 1999 巻 64 号 p. 51-59,L6
詳細
1999 年 1999 巻 64 号 p. 51-59,L6
This research attempts to explain Edo musical instrument makers and their business from the Jokyo to the Genroku periods from topographical resources. At present, there is no research on the genealogy of musicalinstrument makers and the musical instrument business in the Edo period, with the exception of the shamisen maker Oumi, and there is almost no general study of the various master craftsmen concerning musical instruments. I wrote “A genealogy of musical instrument makers and the musical instrument business in early modern Kyoto” first, but I believe that topographical resources like “Edo Kanoko” are extremely important in explaning musical instrument makers and the musical instrument business even Edo and thus I have completed the present work.
