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Volume 31 (1980)
- Issue 4 Pages 24-
- Issue 3 Pages 1-
- Issue 2 Pages 1-
- Issue 1 Pages 1-
Volume 31, Issue 4
Displaying 1-14 of 14 articles from this issue
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Article type: Cover
1981 Volume 31 Issue 4 Pages Cover1-
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
JOURNAL FREE ACCESSDownload PDF (21K) -
Article type: Cover
1981 Volume 31 Issue 4 Pages Cover2-
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
JOURNAL FREE ACCESSDownload PDF (21K) -
Article type: Index
1981 Volume 31 Issue 4 Pages Toc1-
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
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Akira AMAGASAKIArticle type: Article
1981 Volume 31 Issue 4 Pages 24-36
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
JOURNAL FREE ACCESSAccording to Chinese traditional ontology, the universe was not created, but generated itself spontaneously. In the beginning, there rose from nothigness ch'i 氣-generative ether or life force-, which grew into forms and qualities, then developped into beings of all kinds. Ching Hao divided paintings into four classes, i.e. divine, excellent, eccentric and exquisite. He regarded the divine as the work of ch'i, and the rests as the work of man. At that time, painters were supposed to represent objects with 'resemblance'. In the opinion of Ching Hao, however, what matters is 'truth', not 'resemblance'. To see the truth of the object is to know the form and quality of it, that is, the way ch'i has generated it. Ssu 思-intuition and imagination-is indispensable for seeing the truth of the object and for imagining how the figure should be. As the painter endeavours to crystallize the image with ssu, the moment will come when a ch'i begins to operate at the tip of the brush. Just as ch'i generated the object with its form and quality, pi 筆-brush movement-generates a figure with the same form and quality as the object has. Pi is motivated by ssu, but led by the spontaneous force of ch'i. This correlation among ch'i, ssu and pi makes up the secret of divine works.View full abstractDownload PDF (1150K) -
[in Japanese]Article type: Article
1981 Volume 31 Issue 4 Pages 76-77
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
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Article type: Appendix
1981 Volume 31 Issue 4 Pages 78-
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
JOURNAL FREE ACCESSDownload PDF (43K) -
Article type: Appendix
1981 Volume 31 Issue 4 Pages 78-
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
JOURNAL FREE ACCESSDownload PDF (43K) -
Article type: Appendix
1981 Volume 31 Issue 4 Pages 78-
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
JOURNAL FREE ACCESSDownload PDF (43K) -
Article type: Bibliography
1981 Volume 31 Issue 4 Pages 79-
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
JOURNAL FREE ACCESSDownload PDF (30K) -
Article type: Bibliography
1981 Volume 31 Issue 4 Pages 79-
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
JOURNAL FREE ACCESSDownload PDF (30K) -
Article type: Bibliography
1981 Volume 31 Issue 4 Pages 79-
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
JOURNAL FREE ACCESSDownload PDF (30K) -
Article type: Bibliography
1981 Volume 31 Issue 4 Pages 79-
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
JOURNAL FREE ACCESSDownload PDF (30K) -
Article type: Bibliography
1981 Volume 31 Issue 4 Pages 80-
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
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Article type: Cover
1981 Volume 31 Issue 4 Pages Cover3-
Published: March 31, 1981
Released on J-STAGE: May 22, 2017
JOURNAL FREE ACCESSDownload PDF (59K)
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