Aesthetics
Online ISSN : 2424-1164
Print ISSN : 0520-0962
ISSN-L : 0520-0962
Search
Advanced search
OR
Browse
Search
Volume 37, Issue 4
Displaying 1-19 of 19 articles from this issue
Show all abstracts
    • |<
    • <
    • 1
    • >
    • >|
  • [title in Japanese]
    Article type: Cover
    1987 Volume 37 Issue 4 Pages Cover1-
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_Cover1
    JOURNAL FREE ACCESS
    Download PDF (27K)
  • [title in Japanese]
    Article type: Cover
    1987 Volume 37 Issue 4 Pages Cover2-
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_Cover2
    JOURNAL FREE ACCESS
    Download PDF (27K)
  • [title in Japanese]
    Article type: Index
    1987 Volume 37 Issue 4 Pages Toc1-
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_Toc1
    JOURNAL FREE ACCESS
    Download PDF (90K)
  • Das asthetische Urteil und die Idee einer menschlichen Gemeinschaft : Uber die "allgemeine Mitteilbarkeit" bei Kants Asthetik
    Junko NAGANO
    Article type: Article
    1987 Volume 37 Issue 4 Pages 1-12
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_1
    JOURNAL FREE ACCESS
    Show abstractHide abstract
    Die meisten Interpreten (cf. J. Kulenkampff, P. Guyer, G. Kohler) behaupten, dass die phanomenologische Analyse der Struktur des asthetischen Urteils den zentralen Aspekt der Kritik der asthetischen Urteilskraft bildet. Meines Erachtens aber geht es besonders in ihrer zweiten Halfte darum zu erklaren, welche Rolle das astheitische Urteil im Ganzheit des menschlichen Lebens spielen muss wenn der Mensch fur die Gesellschaft bestimmt sein soll. Der Kernbegriff ist der "allgemeinen Mitteilbarkeit" des Gemutszustandes oder des Gefuhl der Lust in gegebener Vorstellung. Schon seit langem war die "Geselligkeit" oder "Sozialitat" der unentbehrliche Faktor bei Kants fruher Theorie der Schonheit, wie gezeigt in seiner Vorlesungen uber Logik und Anthropologie um 1770. Aber in der ausgereiften Asthetik von seiner kritischen Philosophie, wahrend die Beziehung auf Gesellschaft den Geschmack zum blossen Mittel zur Verbindung oder sogar Konkurrenz mit anderen machen konnte, ist dem Begriff der allgemeinen Mitteilbarkeit eine ganz neue Bedeutung und eine wesentliche Funktion gegeben. Diesem Begriff liegt sensus communis (die Idee eines gemeinschaftlichen Sinnes) zugrunde, welcher durch die "Operation der Reflexion" dem Menschen moglich macht, sich in die Stelle jedes anderen zu versetzen, und so auf die allgemeine Gemeinschaft der Menschheit als einer Gattung, zielt. Fur Kant ist das Wesen des asthetischen Urteils die Beforderung der "Kultur der Gemutskrafte" zur "der Menschheit angemessenen Geselligkeit".
    View full abstract
    Download PDF (1373K)
  • "Design" in Archibald Alison's Essays on Taste
    Haruhiko FUJITA
    Article type: Article
    1987 Volume 37 Issue 4 Pages 13-24
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_13
    JOURNAL FREE ACCESS
    Show abstractHide abstract
    In Archibald Alison's Essays on the Nature and Principles of Taste (1790), the associationist theory is far more comprehensively employed than in any other aesthetic treatise throughout the eighteenth century. It is one of the last essays on "taste", a central problem for aestheticians in the eighteenth century. In the early nineteenth century, Alison's Essays found acceptance not only with various philosophers of art who were making a fresh development from eighteenth century theory of "taste", the faculty to perceive the "sublime" and the "beautiful" for Alison, to nineteenth century theory of the "picturesque", but also with many design professionals who were seeking for the "picturesque" as well as the "functional". It was Alison's theory of the "Relative Beauty" of forms that attracted their professional attention. According to Alison, the considerations of "Design", of "Fitness", and of "Utility" are the three great sources of the "Relative Beauty" of forms. While "Fitness" is supposed to express the general relation of propriety between Means and an End, "Utility" is the relation of objects to Convenience or Happiness of Man. The whole system of the "Relative Beauty" of forms in Alison's Essays, together with those of the "Natural Beauty" and the "Accidental Beauty", can be considered an associationist theory of design which is fundamentally functional and at the same time freely eclectic.
    View full abstract
    Download PDF (1408K)
  • Concerning the Buddhist Statuary at the Toji Lecture Hall : Sculptural Transformation of Iconographic Illustrations
    Shinsei YAMANA
    Article type: Article
    1987 Volume 37 Issue 4 Pages 37-49
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_37
    JOURNAL FREE ACCESS
    Show abstractHide abstract
    The purpose of this essay is to examine the stylistic characteristics of the Buddhist statues preserved at the Toji lecture hall. These statues represent examples of an important period when Japanese sculptors began to form a new sculptural style of their own abandoning the strong influence of Tang Chinese sculpture. One of the notable features which characterizes the Toji statues (especially Five Bodhisattva and Five Great Vidyaraja) is the stylistic inconsistency between the frontal and profile views. This may suggest that Japanese artisans conceived these statues using as their models two dimensional images in mandalas and zuzo (iconographic illustrations) which had been introduced from Tang China. This process of creating sculpture based on painting gave an impetus to the birth of a new style of sculpture unique to Japan. Its prominent characteristics is the frontal composition resulting from a strong attention to two-dimensional organization. Through this examination I hope to shed light on the process by which a new sculptural style came into existence in Japan, and furthermore to discuss the significance of this new style in the history of Japanese Buddhist sculpture.
    View full abstract
    Download PDF (1368K)
  • Rubens' "Tod von Seneca" : Ein Aspekt der Antikenrezeption
    Toshiharu NAKAMURA
    Article type: Article
    1987 Volume 37 Issue 4 Pages 50-62
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_50
    JOURNAL FREE ACCESS
    Show abstractHide abstract
    Das um 1611 von Rubens geschaffene Gemalde "der Tod von Seneca" ist ein interessantes Beispiel von der Antikenrezeption bei Rubens. Er bediente sich als Vorlage seines Senecas einer antiken Statue, die damals als Darstellung des sterbenden Seneca misinterpretiert wurde. (Heute wird sie als afrikanischer Fischer gedeutet.) Aber wie Muller Hofstede darlegte, stellte die negroide Physiognomie der Statue dem Maler ein Problem, denn sie passte nicht gut einem romischen Philosophen wie Seneca. Spater wahlte Rubens als Seneca-Bildnis eine andere antike Buste mit einem nobleren und vergeistigteren Antlitz, namlich den sogenannten Pseudo-Seneca. Auch diese Buste galt damals falschlich als authentischer Bildniskopf von Seneca. Bekanntlich ist der heroische Tod von Seneca von Tacitus in seinen Annalen berichtet. Schwierig festzustellen ist jedoch, ob unser Gemalde, das ikonographisch als Rubens' Neuerfindung anzusehen ist, mehr als ein Historienbild ist. Offensichtlich wurde das Gemalde von niederlandischen Neustoizismus angeregt und Rubens deutete damit sein Verhaltnis zur stoischen Philosophie an. Dazu noch mitzudenken ist, wie G. Hess meint, die rezeptionsgeschichtliche Tradition von "Seneca Christianus". Ich will jedoch in Rubens' Seneca keine direkte Beziehung damit sehen, sondern eher, wie etwa im ekstatischen und inspirierten Aufblick Senecas, das Hineinschlupfen des Formenvokabulars von den Martyrerbildern des Barock feststellen.
    View full abstract
    Download PDF (1387K)
  • SASAKI Kenichi, Philosophie de l'oeuvre
    Hiroe NITTA
    Article type: Article
    1987 Volume 37 Issue 4 Pages 63-70
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_63
    JOURNAL FREE ACCESS
    Download PDF (951K)
  • [title in Japanese]
    Tanehisa OTABE
    Article type: Article
    1987 Volume 37 Issue 4 Pages 70-75
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_70
    JOURNAL FREE ACCESS
    Download PDF (833K)
  • [title in Japanese]
    [in Japanese]
    Article type: Article
    1987 Volume 37 Issue 4 Pages 76-
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_76
    JOURNAL FREE ACCESS
    Download PDF (154K)
  • [title in Japanese]
    Article type: Appendix
    1987 Volume 37 Issue 4 Pages 77-
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_77_1
    JOURNAL FREE ACCESS
    Download PDF (74K)
  • [title in Japanese]
    Article type: Appendix
    1987 Volume 37 Issue 4 Pages 77-
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_77_2
    JOURNAL FREE ACCESS
    Download PDF (74K)
  • [title in Japanese]
    Article type: Appendix
    1987 Volume 37 Issue 4 Pages 77-
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_77_3
    JOURNAL FREE ACCESS
    Download PDF (74K)
  • [title in Japanese]
    Article type: Appendix
    1987 Volume 37 Issue 4 Pages 77-
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_77_4
    JOURNAL FREE ACCESS
    Download PDF (74K)
  • [title in Japanese]
    Article type: Bibliography
    1987 Volume 37 Issue 4 Pages 78-
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_78_1
    JOURNAL FREE ACCESS
    Download PDF (70K)
  • [title in Japanese]
    Article type: Bibliography
    1987 Volume 37 Issue 4 Pages 78-
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_78_2
    JOURNAL FREE ACCESS
    Download PDF (70K)
  • [title in Japanese]
    Article type: Bibliography
    1987 Volume 37 Issue 4 Pages 79-80
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_79
    JOURNAL FREE ACCESS
    Download PDF (118K)
  • [title in Japanese]
    Article type: Cover
    1987 Volume 37 Issue 4 Pages Cover3-
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_Cover3
    JOURNAL FREE ACCESS
    Download PDF (34K)
  • [title in Japanese]
    Article type: Cover
    1987 Volume 37 Issue 4 Pages Cover4-
    Published: March 31, 1987
    Released on J-STAGE: May 22, 2017
    DOIhttps://doi.org/10.20631/bigaku.37.4_Cover4
    JOURNAL FREE ACCESS
    Download PDF (34K)
    • |<
    • <
    • 1
    • >
    • >|
feedback
 Top