Following the February issue, the authors report the second half of “Research on TV Producers NEO ‹Attachment to the Locality›, [Part III] Takao Ito, NHK.” Takao Ito was transferred to the visual production division (former filming division) of the Production Engineering Department in Tokyo, where he made a number of large-scale programs involving overseas location shooting including NHK Special series, but in 1991 he moved to Sendai Station at his own wish and started pursuing the opposite type of themes, dedicating to shooting and producing programs that depict people living in farming, mountain, and fishing villages who were deeply rooted in the soil of Tohoku (Northeast Japan). This second installation examines Ito's programs and looks back on his 28 years in Sendai.
Ito's works during this period can be roughly divided into three categories: (1) programs that delves into local residents' lives and bonds against the background of the climate of the region such as NHK Special series: Masayo Baachan-no tenchi: hayachine no fumoto ni ikite [Gramma Masayo's universe: living at the foot of Mt. Hayachine] (1991) and Yuki no bohyo: Okuaizu sousou-no fukei [Grave Markers in the snow: in funeral scenery in Okuaizu] (1993), (2) a group of programs following dedicated artisans such as Prime 11: Kobushi ni kakeru—musumetachi no minyo shugyo [Take a chance on “kobushi” vocal ornamentation—female folk song singers under training] (1995), and (3) docu-dramas portraying the mind of Tohoku-born intellectuals such as novelists Kenji Miyazawa and Osamu Dazai. His Tohoku Trilogy starting with Igune: Yashikirin ga hagukumu denen no shiki [Igune: four seasons of the countryside fostered by homestead woods] (2002) is an extension of (1) and a unique project in terms of both idea and method; a program with an accumulation of visual records, led by the cameraperson, of the nature and human activities in communities around Sendai. Among them, Inasa [Southeast wind] follows the lives of farmers and fishermen in Sendai City's Arahama district that is blessed by gifts from seasonal winds. The documentary became a series with eight episodes covering before and after the Great East Japan Earthquake up until last year. The authors shed light on how these programs were born and what they convey to the contemporary Japan, based on their content analysis and interviews.
∗Takao Ito currently works as a senior staff member at Sendai Branch of NHK Technologies, Inc.
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