Choreologia

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Issue 22 Pages 1-
Issue 1Supplement Pag･･･

Volume 1999, Issue 22

Displaying 1-50 of 52 articles from this issue

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Recognizing the Body of Dance

Satoshi Ishibuchi

1999 Volume 1999 Issue 22 Pages 1-9
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.1

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A Study of Video/Filmdance of Merce Cunningham

Haruko Sako

1999 Volume 1999 Issue 22 Pages 10-19
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.10

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A Study on Dance Performed by way of Entertainment in Movie Theaters in Asakusa in the 1920's

Chizuru Sugiyama

1999 Volume 1999 Issue 22 Pages 20-31
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.20

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Groping and Creation of the Korea Style in the Korea Modern Dance

Centering around the Analysis of the Works of Yuk Wan Soon and Lee Jyong Hee

Byung Joo Choi

1999 Volume 1999 Issue 22 Pages 32-41
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.32

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Changes of Beginner's Performance on Dance Movements Learning by Model-Demonstration

Kumi Naruse

1999 Volume 1999 Issue 22 Pages 42-49
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.42

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Jean-Georges Noverre's Lettres sur la Danse et sur les Ballets

On the Relation between Dance and Music

Tatsuko Mori

1999 Volume 1999 Issue 22 Pages 50-56
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.50

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A Survey on Dance and Expressive Movement for Disabled People in Japan

Hiroko Nishi

1999 Volume 1999 Issue 22 Pages 57-65
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.57

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Bugaku Performed in the Ritual Festival ON-MATSURI at Wakamiya of Kasuga Shrine

Kan-ichi Kasagi

1999 Volume 1999 Issue 22 Pages 69
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.69

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Metamorphosis and Naissance

a Study on Performing Body

Akira Amagasaki

1999 Volume 1999 Issue 22 Pages 70-76
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.70

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Haru Tokura and her days

Noriko Chino

1999 Volume 1999 Issue 22 Pages 77-80
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.77

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Hiro Miura and her Dance Education

The Theoretical Results of School Training

Kiyomi Yasumura

1999 Volume 1999 Issue 22 Pages 81
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.81

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Haru Tokura, Hiro Miura and their times

Chiyoe Matsumoto

1999 Volume 1999 Issue 22 Pages 82-87
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.82

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About Mass Games choreographed by Haru Tokura

Sumiko Tsukawaki

1999 Volume 1999 Issue 22 Pages 88
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.88

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An Analysis of the Method of Lesson for Six Years-Old

in Case of “Tama Usagi”

Muneko Atsumo, Kazu Nishihara

1999 Volume 1999 Issue 22 Pages 89
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.89

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Dance Composition and Diffusion Rooted the Region

The Case of Higashi-mura

Yumiko Suzuki

1999 Volume 1999 Issue 22 Pages 90
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.90

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Two Sources of Bon Odori Dances, Classified by the Composition of Movements

Bon Odori at Hanzan Town and Bon Odori in Tsushima Island

Shuhei Kikkawa

1999 Volume 1999 Issue 22 Pages 91
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.91

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A Report of Dance Performances Presented in Kyoto Kaikan

Mari Takimoto

1999 Volume 1999 Issue 22 Pages 92
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.92

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Multiple Performances and their Quality of Given Choreographic Works

Le Ballet de l'Opéra National de Paris

Shizuka Yasuda

1999 Volume 1999 Issue 22 Pages 93
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.93

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A Report of Club-Dance among Young Popular Culture

Akiko Uchiyama

1999 Volume 1999 Issue 22 Pages 94
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.94

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A Study on the Dance Analysis, written by Janet Adshead

Setsuko Ishiguro, Maaya Shimizu, Asako Shirai, Misuzu Ikeda

1999 Volume 1999 Issue 22 Pages 95
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.95

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Study on the Details in Technique

from the Point of the Intelligent Dancing

Sho Nomoto

1999 Volume 1999 Issue 22 Pages 96
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.96

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A Report of the Performances in Temples in Kyoto

Yasuko Endo

1999 Volume 1999 Issue 22 Pages 97
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.97

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A Report on the Characteristic Features of Body Expressions in the Process of Creating Dance in Junior High School

How they choose theme and movements?

Maki Inoue

1999 Volume 1999 Issue 22 Pages 98
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.98

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A Report on Dance Curricula in Japanese High Schools

Junko Tsukamoto

1999 Volume 1999 Issue 22 Pages 99
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.99

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An Effective Use of the Instructive Languages in the Process of Teaching Expressive Movements in the Primary School

Kyoko Yoshikawa

1999 Volume 1999 Issue 22 Pages 100
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.100

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Onomatopepia and Body Expressions

by way of example “DOTA”

Kiyoko Tsubokura, Mariko Shiba, Koh Miyake, Masako Tokuka

1999 Volume 1999 Issue 22 Pages 101
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.101

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Genein Ballet for All

as the Introduction of the Activities of Ballet for All in Britain

Kazumi Kuwahara

1999 Volume 1999 Issue 22 Pages 102
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.102

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The Relationship between Body and Bodyworks in Dance

Nanako Harada

1999 Volume 1999 Issue 22 Pages 103
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.103

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The Meaning of “the Integration of Body and Mind” in Terms of Dance Therapy

Yukari Sakiyama, Keiko Kawagishi, Takane Hirai

1999 Volume 1999 Issue 22 Pages 104
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.104

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From the Report of Dance Therapy for the Asperger Patients

Miwako Fujimoto, Youji Kagono

1999 Volume 1999 Issue 22 Pages 105
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.105

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From the Examination of Bone Density affected by the Menstruation Condition

Jae Kyoung Pyoun

1999 Volume 1999 Issue 22 Pages 106
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.106

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A Result of the Analysis of the Conscious Degeneration in Recallection of Performing Sarupuri

Focus on the level of Fm θ

Jong Ran Park, Takane Hirai

1999 Volume 1999 Issue 22 Pages 107
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.107

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An Analysis of the Style of Expression of Water in Japanese Traditional Dance

Kumiko Ishida

1999 Volume 1999 Issue 22 Pages 108
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.108

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An Analysis of “the Basic Movement I” from The Beauty of Movement, written by Misako Miya

Nobuko Horikiri

1999 Volume 1999 Issue 22 Pages 109
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.109

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An Introduction of Louis H. Chalif (1876-1948)

Reiko Morita

1999 Volume 1999 Issue 22 Pages 110
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.110

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An Overview of Ballet in the 20th Century

Emergence of a New Composite Art from Russia

Toshiko Satoh

1999 Volume 1999 Issue 22 Pages 111
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.111

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A Study on Balanchine and Ballet Blanc

focus on “Apollon Musagète and Serenade”

Nao Yamada

1999 Volume 1999 Issue 22 Pages 112
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.112

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The Result of the Survey on the Ballet Teachers in Japan

Focus on their basic knowledge and understanding

Mari Ide

1999 Volume 1999 Issue 22 Pages 113
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.113

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The Effect of Dance Peformance by Gyrotonic Metuod

Mie Kitajima, Makoto Mayuzumi, Reiko Morita, Etsuko Yamazaki

1999 Volume 1999 Issue 22 Pages 114
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.114

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Lecture and Demonstration

Dynamic Relaxation “YURU” and “CENTER”

Hideo Takaoka

1999 Volume 1999 Issue 22 Pages 117
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.117

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The 19th Century Ballet

Rise and Fall of Narrating Romanticism and Formalism

Yoshinobu Matsuzawa

1999 Volume 1999 Issue 22 Pages 118-119
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.118

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A Study on the text of the 19th century Ballet

Masashi Hirabayashi

1999 Volume 1999 Issue 22 Pages 120-121
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.120

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The concept of “Ballet d'action”

a Study on its Dramatic Features and Pantomime

Takamichi Takei

1999 Volume 1999 Issue 22 Pages 122-123
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.122

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Kikugoroh VI and Our times

Hidetoshi Hirano

1999 Volume 1999 Issue 22 Pages 124
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.124

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Report: A Study on Dance and Body of Kikugoroh VI

Ryuichi Kodama

1999 Volume 1999 Issue 22 Pages 125
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.125

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Talk session: The Art of Kikugoroh VI

Juraku Hanayagi, Seiko Kisaragi

1999 Volume 1999 Issue 22 Pages 126-132
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.126

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Kikugoroh VI as the Fundamental of my Art

Sumi Hanayagi

1999 Volume 1999 Issue 22 Pages 133
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.133

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On Modern Features in “Yasuna” performed by Kikugoroh VI

Hideo Furuido

1999 Volume 1999 Issue 22 Pages 134
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.134

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My Master-the Heritage in my Art

Motoi Hanayagi

1999 Volume 1999 Issue 22 Pages 135
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.135

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The Heritage of Body Languages and Dissolution of the School

Ei-ichi Suzuki

1999 Volume 1999 Issue 22 Pages 136
Published: 1999
Released on J-STAGE: April 30, 2010

DOIhttps://doi.org/10.11235/buyougaku1978.1999.136

JOURNAL FREE ACCESS

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