In his reading of the significance of colonialism in
The Plumed Serpent, Saburo Kuramochi argues that the representations of race in the text should be explored in the British colonialism over Mexico. His reading construes as the racial other of British imperialism Juana, who overtly expresses her antagonism towards Kate. While I agree with Kuramochi's broad critique of liberal humanism and its ethical interpretation, I find his reading problematic in its analysis of the workings of imperialist ideology and its relation to postcolonial theory both in general and in
The Plumed Serpent.
My own proposition is that the representations of race in
The Plumed Serpent should be detected in the figure of Cipriano. The ending of the text seems to set his heterosexual relationship with Kate, a white woman, against the homosocial bond between the Mexican general and Ramón, the leader of Quetzalcoatl movement. However, Kate in fact mediates another homosocial relation between Cipriano and Kate's brother-in-law, thereby disclosing the contradictory relationships between Britain and the United States beyond the merely individual category of sexual subject.
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