英文学研究

表紙

原稿種別: 表紙
1959 年 35 巻 2 号 p. Cover1-
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_Cover1

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目次

原稿種別: 目次
1959 年 35 巻 2 号 p. Toc1-
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_Toc1

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WHITMAN AND THE BIBLE : A Study in American Poetry

中尾清秋

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1959 年 35 巻 2 号 p. 169-180
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_169

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NOTES ON SOME POEMS OF MEREDITH'S LATER YEARS

加藤孝

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1959 年 35 巻 2 号 p. 181-193
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_181

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『ルーシー詩篇』の一解釈

原一郎

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1959 年 35 巻 2 号 p. 195-207
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_195

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As for the identity of the heroine of that puzzling series of poems written by Wordsworth and called the 'Lucy' poems, there have been presented three kinds of hypothesis: (I), that which regards 'Lucy' as a woman (though one of the theories of this sort ventures to identify her as a man 1) who actually existed and was loved by Wordsworth; (2), that which regards her as a purely ideal creation of the poet, embodying some spiritual or emotional ideal of his; and (3), that which regards 'Lucy' as Wordsworth's borrowing from some poem or poems belonging to a group of 18th century English ballads of tragic love all of which centre round a girl of the name 'Lucy'. When we examine these three kinds of hypothesis, we find all of them, in the cases of the most well-grounded ones, having an undeniable truthfulness, though, at the same time, all of them have questionable weak points. Of the theories of the first category, the most probable one is that which regards Dorothy as the identity of 'Lucy'. According to Mary Moorman, one of the 'Lucy' poems, Strange Fits of Passion I have known, is "probably a memory of Racedown." The early death of 'Lucy' has been deemed quite contradictory to the actual fact of Dorothy's life, but the contradiction now seems to have been resolved by F. W. Bateson's recent theory of 'quasi-incestuous relationship' between William and Dorothy. However, the view which regards Mary Hutchinson as the identity of 'Lucy', too, seems to have truth in some respects. In the 'ideal creation' theories, Garrod called 'Lucy' "Nature's Child" and John Cowper Powys "an Elemental", while J. C. Smith described her as "an ideal of English maidenhood" and Florence Marsh as "the living embodiment of English landscape." Though they are thus divided, I cannot but recognize significance in either of these views. The 18th century 'Lucy' ballad theory, too, seems to be well-grounded, evidenced by the poems of Robert Anderson, Samuel Rogers, Robert Merry, etc. Such being the case, the truth of the 'Lucy' poems seems to me to lie in the adequate synthesis of those three kinds of hypothesis, and I conclude: the 'Lucy' poems are the poems in which Wordsworth, utilizing the 'Lucy' ballad often used by this 18th century predecessors, symbolically expressed, in the first four of the poems in question, his emotion and attitude toward Dorothy envisioned as "Nature's Child" or "an Elemental", and in I travelled among unknown men, which was written after he had returned to England, those toward Mary as "an ideal of English maidenhood" or "the living embodiment of English landscape."

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デフォーの態度 : Occasional Conformityをめぐって

宮崎芳三

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1959 年 35 巻 2 号 p. 209-223
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_209

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During the reign of William III, the dissenters had enjoyed a period of comparative freedom. By practising 'Occasional Conformity', they might also qualify themselves for the holding of office. As soon as Anne was on the throne, a bill was introduced in the House of Commons for preventing Occasional Conformity. Immediately a conflict broke out in Parliament and throughout the country. Seeing that the old disabilities might be revived in all their rigor, Defoe came out in defense of his co-religionists. Throughout the controversy over the Occasional Bill, Defoe continued to busy himself, enrage his opponents, High Tories, and, we must add, to perplex posterity with his treatment of the issues of Dissent. Reading his Review, pamphlets, and letters, we are left wondering how much he really cared for his dissenting brethren. True, Defoe, a dissenter, a whig, remained the most strenuous opponent to the Occasional Bill. And yet the fact is that he proved himself several times to be no lover of Occasional Conformity. Defoe's writings often evoked a wail of frightened protest from his fellow Dissenters, while the High Church party was always furious with them. Is he a sort of opportunist? Far from it. (1) Defoe was basically an idealist who poured scorn upon those compromising 'Occasional Conformists' and insisted that a thing was either right or wrong. See especially his pamphlet published in 1698. (2) At the same time, however, he was ever a realist and could invariably write about religion in a completely realistic way. See, among others, his letter to Harley (Aug.-Sept., 1704?) in which Defoe speaks of his fellow Dissenters as callously as any High Tory. Who is Defoe, after all? It seems that Defoe in the Occasional Conformity controversy was a very much strange creature which was an idealistic realist.

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MELVILLE: "BILLY BUDD, FORETOPMAN"に見られる受容精神について

岡本秀男

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1959 年 35 巻 2 号 p. 225-243
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_225

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The efforts of the heroes in Mardi, Moby Dick and Pierre were those of breaking through 'the wall' of the natural world and attaining to transcendental existence. But those efforts were all frustrated in the end. Melville's attitude towards his heroes was rather sympathetic, and he set much value on their tragic way of life. For all that, we cannot but see that another different way of searching for the truth was personified in the other characters, who stood as critics to the tragic heroes. Billy Budd stands at the highest point in the line of the author's criticism of the tragic heroes. In this story, his criticism is permeated with a spirit of acceptance which is worthy of his last work. However, what we must consider most is the quality of his acceptance. Stoic resignation after the climax of natural tragedies may be considered a kind of acceptance, but it is not the case with Melville at the time of writing Billy Budd. We find another kind of resignation in him. It seems to me that is rather a hope than resignation. Author's motif in this story is not Billy's stoic resignation, but the salvation of Billy's soul through his recognition of Christian hope, which is effected behind the scenes of the story during his interview with Captain Vere who represents paternal love. Billy must be subjected to sufferings and so redeem the world; he must play the part of the Second Adam. In this sense, this story must be read as the author's beatific vision, not as a natural tragedy of Billy Budd. The conflict between the horologicals and the chronometricals is represented here in the person of Captain Vere. Vere's measure in respect to the murder case is not based upon his human wisdom whose function it is to make a worldly compromise. Captain Vere is not horological. In him horological and chronometrical values are united inseparably. He sees into the truth that these two values are the two sides of one and the same thing. He accepts human limitations, knowing that the pursuit of chronometrical values to the extreme will lead to destruction. He is a Father who sends his only Son to this world and makes his Son redeem the world. Billy Budd is a Nunc Dimitis which was written by Melville who being conscious of his nearing death was listening to the silent voice of God.

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SAXON CHRONICLE (PARKER MS.)に現れるVERB-PREFIX GE-の他動詞化に就いて

丹羽義信

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1959 年 35 巻 2 号 p. 245-265
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_245

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An exhaustive study is made in this paper to elucidate to what extent ge- as a verb-prefix exercises, as far as The Saxon Chronicle (Parker MS.) is concerned, the function of making an intransitive verb transitive as H. C. Wyld maintains it does in his Short History of English (London 1952) p.267. The following items have been concluded: 1. Ge-compound forms of only seven verbs of motion perform the function of the transitivization. These compound forms, however small the variety of their verb stems may be, deserve attention, because, for one thing, they are more distinct in meaning from the simple forms than any other ge-compound is from its simple form, and, for another, these verbs of motion are in common and frequent use. 2. In order to realize better, ge-compounds other than transitivization will be examined. There are two of them: one is the pleonastic (often intensive) ge- and the other the old ge- with a collective meaning. But neither of them has played so important a role as the ge- with the transitivizing function, because the former, though of frequent occurrence, has almost lost its meaning and the latter is found only in two verbs. This may have led H. C. Wyld to emphasize the transitivizing function of the OE prefix. 3. F. Mosse, among others, distinguishes six groups for ge-, in a striking contrast with H. C. Wyld. But my study shows that it is quite improper to set up more than three groups above mentioned for ge-, as far as this text is concerned. 4. Two or three out of six groups of ge- suggested by F. Mosse belong to one pleonastic group in my classification. It is sometimes open to question whether any ge- belongs to the pleonastic group or not, but in my study, such phrases as iii tunas genam. 571 18 28 ; nam pone tuun. 777 50 26, where the simple form and the ge-compound are interchangeable without much change of meaning, helped me to identify the pleonastic group. 5. It is a future duty imposed on the present writer to throw light on the historical development of these groups of ge-.

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D.H. ロレンスの神秘主義 : 小説の根底にあるもの

西川正一

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1959 年 35 巻 2 号 p. 267-277
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_267

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Mysticism may be called, as Evelyn Underhill says, the art of establishing man's relation with the Absolute. Lawrence, however, says, "Damn all absolutes ... For man there is neither absolute nor absolution ...", and strongly rejects the idea of absolute. And yet he admits that the self is absolute, in saying that each individual living creature is in itself absolute. What Lawrence means by the self is the unconscious self, so to speak, his life of god which is to be the central reality of human existence. In saying that the self is absolute, he tries to give the absoluteness to his life of god. However, this is a question, for, if his life of god is nothing but the natural life that is to die with its bodily death, Lawrence's pandemonium will crumble down in an instant. To Lawrence this seems to have been the most difficult problem: how to give the immortality and eternity to the life of god, without the help of the Absolute God. And it is in this point that Lawrence's mysticism comes out. By the following two ways he tries to solve this problem: First, to give the immortal soul to every living creature on the earth as well as to man. Secondly, to regard the sun as the soul of the inanimate universe and put it in relation with the soul within every living creature. In this way Lawrence's mysticism is enacted in the theatre of soul in order to keep his life of God in the absoluteness. This mysticism may be found in his works in various aspects, one of which is, I think, the essential theme of ritual: that a woman who lives in her un-elemental life comes to have a new power beyond herself by being put into connection with the life of god which is, for instance, the sun in Sun, the death in The Woman Who Rode Away and Mellors in Lady Chatterley's Lover.

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ジェイン・オースティンの倫理

永嶋大典

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1959 年 35 巻 2 号 p. 279-292
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_279

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Jane Austen has always been one of the most popular English novelists; but in the course of the present century criticism of her has entered upon a new phase, and some scholars and critics have come to admit that, besides her excellency as a comic writer, there is a profound moral significance behind the narrowly limited world of her novels. But no one has yet, I believe, explored systematically what the moral significance of these works is. The purpose, therefore, of my paper is to investigate her moral attitude, especially the attitude towards the marriage of young women which is, in a sense, the sole theme through all her novels. From her two letters to her niece, in which she gives some advice concerning the latter's love affair, we can induce that Jane Austen was of the opinion, firstly, that a woman should not marry without affection, but, secondly, that human affection is not strong enough to rely upon exclusively. In the light of these two inductions we can see that Jane Austen shows, through the melodramatic frame of her novels, the true road to happiness for marrigeable young women. All the heroines of the novels marry eligible gentlemen, but in the process, they are always submitted to a deep "humiliation". There, I believe, we can find Jane Austen's religious element at work. As a writer, she has usually been said to have no religious awareness; and this may be true if we put her beside St. Paul or John Bunyan. But, considering the peaceful and prosperous circumstances in which she lived, I think it proper to admit a religious awareness behind the deep humiliation of her heroines. Moreover, paradoxical as it may seem, her religious attitude could be the more in harmony with her circumstances because it was only lukewarm, as it were, and therefore not so fervent as to deny anything that is of the flesh. Though written as "family entertainment", Jane Austen's six novels have at the same time a sound moral and religious message for us; hence, they "instruct by pleasing", which is, I think, the fundamental function of literature.

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SONGS IN ENGLISH MYSTERY PLAYS, MIRACLE PLAYS AND EARLIER MORALITIES

木方庸助

原稿種別: 本文
1959 年 35 巻 2 号 p. 293-308
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_293

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二宮尊道訳著, 「T. S. ELIOT: 四つの四重奏」, 南雲堂, 昭和33年, \580(批評紹介)

成田成寿

原稿種別: 本文
1959 年 35 巻 2 号 p. 309-310
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_309

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加納秀夫著, 「危機と想像」(研究社選書), 研究社, 昭和33年, \180(批評紹介)

島田謹二

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1959 年 35 巻 2 号 p. 311-312
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_311

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細入藤太郎編, 「新批評」(不死鳥選書), 南雲堂, 昭和33年, \200(批評紹介)

Edward Seidensticker

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1959 年 35 巻 2 号 p. 312-313
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_312

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竜口直太郎、吉武好孝編, 「現代アメリカ文学」, 有信堂, 昭和33年, \430(批評紹介)

阪田勝三

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1959 年 35 巻 2 号 p. 314-315
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_314

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安藤一郎著, 「フロスト」(新英米文学評伝双書), 研究社発行, 昭和33年, \200(批評紹介)

福田陸太郎

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1959 年 35 巻 2 号 p. 315-316
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_315

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福原麟太郎著, 「英文学小論」, 吾妻書房, 昭和33年, \350 / 福原麟太郎著, 「日本の英語」(研究社選書), 研究社, 昭和33年, \180(批評紹介)

石田憲次

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1959 年 35 巻 2 号 p. 316-318
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_316

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高橋正雄著, 「フォークナーの世界」(研究社選書), 研究社, 昭和33年, \180(批評紹介)

山屋三郎

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1959 年 35 巻 2 号 p. 318-320
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_318

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石一郎著, 「崩壊の文学」(不死鳥選書), 南雲堂, 昭和33年, \220(批評紹介)

大橋吉之輔

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1959 年 35 巻 2 号 p. 320-321
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_320

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村岡勇著, 「英詩のすがた」(研究社選書), 研究社, 昭和33年, \180(批評紹介)

石井正之助

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1959 年 35 巻 2 号 p. 322-323
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_322

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中谷博著, 「標準口語体英語」, 三省堂, 昭和32年, \380(批評紹介)

木原研三

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1959 年 35 巻 2 号 p. 323-325
発行日: 1959年
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DOIhttps://doi.org/10.20759/elsjp.35.2_323

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岩崎民平編, 「新ポケット英和辞典」, 研究社, 昭和32年, \600 / 島村盛助・土居光知・田中菊雄共著, 「岩波英和辞典新版」, 岩波書店, 昭和33年, \720(批評紹介)

乾亮一

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1959 年 35 巻 2 号 p. 325-327
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_325

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石田憲次著, 「エマーソンとアメリカのネオヒューマニズム」(新英米文学語学講座), 研究社, 昭和33年, \250(批評紹介)

入江勇起男

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1959 年 35 巻 2 号 p. 327-329
発行日: 1959年
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DOIhttps://doi.org/10.20759/elsjp.35.2_327

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海老池俊治著, 「ヴィクトリア時代の小説」(不死鳥選書), 南雲堂, 昭和33年, \220(批評紹介)

宮崎孝一

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1959 年 35 巻 2 号 p. 329-330
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_329

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橋本修著, 「トマス・ハーディ研究」, 千城書店, 昭和33年, \480(批評紹介)

辻茂雄

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1959 年 35 巻 2 号 p. 330-331
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_330

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平井正穂著, 「ミルトン」(新英米文学評伝双書), 研究社, 昭和33年, \200(批評紹介)

御輿員三

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1959 年 35 巻 2 号 p. 331-333
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_331

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斎藤勇著, 「文学の世界」, 研究社, 昭和33年, \330(批評紹介)

大和資雄

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1959 年 35 巻 2 号 p. 333-334
発行日: 1959年
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DOIhttps://doi.org/10.20759/elsjp.35.2_333

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SYNOPSES OF THE JAPANESE ARTICLES IN THIS NUMBER

原稿種別: 付録等
1959 年 35 巻 2 号 p. 335-341
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_335

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日本英文学会第卅回大会報告

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1959 年 35 巻 2 号 p. 341-346
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_341

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正誤

原稿種別: 付録等
1959 年 35 巻 2 号 p. 346-
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_346

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紀要論文-批評と紹介-

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1959 年 35 巻 2 号 p. 347-357
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_347

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第三十一回大会予告

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1959 年 35 巻 2 号 p. 357-
発行日: 1959年
公開日: 2017/04/10

DOIhttps://doi.org/10.20759/elsjp.35.2_357

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