巻号一覧
1951 巻 (1951)
- 19-20 号 p. 1-
- 17-18 号 p. 1-
1951 巻, 17-18 号
選択された号の論文の11件中1～11を表示しています
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頼 惟勤1951 年 1951 巻 17-18 号 p. 1-46,182
発行日: 1951/03/20
公開日: 2010/11/26
ジャーナル フリーJapanese Buddhist priests have tradition of sutra reading, This sutra reading is performed melodiously and is called-“Syomyo”. Some kinds of syomyb were brought from China at the time of T'ang dynasty. We called These Kan-on-syomyo: For the pronunciation of these syomyos is called kan-on that is, a kind of Sine-Japanese pronunciation.
In this thesis the author warift to confirm the tone, in which Chinese characters were. pronounced at the time of Tang dynasty, utilizing Kan-on-syomyo as clues. Signs used. for describing sycmyo music are called “Hakase”, One hakase stands for one. Chinese character, like the Ssu-henfu in Chu.-yin-fu-hall. Utilizing these hakase signs as key under certain methodological considerations, the author wants to find out the tone class and tone' value. The composition of syomyo in hakases is always done under musical consideration-that is, determined by the position the. character takes in the musical structure of phrases. The result is that the same tone can be sung in. various ways.
Because of the discrepancy between music and spoken language, the tone confirmed through this inquiry correspond only to a certain. group of characters which resemble each other as regards the tone class or tone value.抄録全体を表示PDF形式でダウンロード (2052K) -
村山 七郎1951 年 1951 巻 17-18 号 p. 47-70,182
発行日: 1951/03/20
公開日: 2010/12/22
ジャーナル フリーJapanese Buddhist priests have tradition of sutra reading, This sutra reading is performed melodiously and is called-“Syomyo”. Some kinds of syomyb were brought from China at the time of T'ang dynasty. We called These Kan-on-syomyo: For the pronunciation of these syomyos is called kan-on that is, a kind of Sine-Japanese pronunciation.
In this thesis the author wants to confirm the tone, in which Chinese characters were. pronounced at the time of Tang dynasty, utilizing Kan-on-syomyo as clues.
Signs used. for describing sycmyo music are called “Hakase”, One hakase stands for one. Chinese _character, like the Ssu-henfu in Chu-yin-fu-hau. Utilizing these hakase signs as key under certain methodological considerations, the author wants to find out the tone class and tone value.
The composition of syomyo in hakases is always done under musical consideration-that is, determined by the position the. character takes in the musical structure of phrases. The result is that the same tone can be sung in. various ways. Because of the discrepancy between music and spoken language, the tone confirmed through this inquiry correspond only to a certain. group of characters which resemble each other as regards the tone class or tone value.抄録全体を表示PDF形式でダウンロード (1096K) -
名詞・形容詞と動詞との連結山本 謙吾1951 年 1951 巻 17-18 号 p. 71-84,186
発行日: 1951/03/20
公開日: 2010/11/26
ジャーナル フリーAmong phrases, which are found in the Manchu Written Language, two cases are here studied: Nouns in stein forms and adjectives, each of which is followed by a verb.
The writer. collected the examples of this parer only from “Ton gtsi fuka sindaha bergen-i dangse.”抄録全体を表示PDF形式でダウンロード (593K) -
横山 展次1951 年 1951 巻 17-18 号 p. 85-107,186
発行日: 1951/03/20
公開日: 2010/11/26
ジャーナル フリーPDF形式でダウンロード (1287K) -
H. Kodzu1951 年 1951 巻 17-18 号 p. 108-124
発行日: 1951/03/20
公開日: 2010/11/26
ジャーナル フリーPDF形式でダウンロード (794K) -
Michio Masui1951 年 1951 巻 17-18 号 p. 125-133
発行日: 1951/03/20
公開日: 2010/11/26
ジャーナル フリーPDF形式でダウンロード (427K) -
塩谷 饒1951 年 1951 巻 17-18 号 p. 134-148
発行日: 1951/03/20
公開日: 2010/11/26
ジャーナル フリーPDF形式でダウンロード (734K) -
Masayoshi Nomura1951 年 1951 巻 17-18 号 p. 149-154
発行日: 1951/03/20
公開日: 2010/11/26
ジャーナル フリーPDF形式でダウンロード (295K) -
1951 年 1951 巻 17-18 号 p. 154-155
発行日: 1951年
公開日: 2010/11/26
ジャーナル フリーPDF形式でダウンロード (44K) -
村山 七郎1951 年 1951 巻 17-18 号 p. 156-164
発行日: 1951/03/20
公開日: 2013/05/23
ジャーナル フリーPDF形式でダウンロード (464K) -
倉石 五郎1951 年 1951 巻 17-18 号 p. 165-168
発行日: 1951/03/20
公開日: 2013/05/23
ジャーナル フリーPDF形式でダウンロード (249K)
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