This paper explores Watsuji Tetsurō’s (1889–1960) understanding of religion by focusing on two of his Taishō-period works,
The Revival of Idol and
Pilgrimages to Ancient Temples. In the former, which was influenced by Nietzsche and Kierkegaard, Watsuji responds to the crisis of modern civilization and the ossification of Japanese culture during World War I by advocating for the “revival of idols” as a way to resuscitate spiritual life. In concrete terms, what he intended was a reappreciation of Buddhist culture, which integrates religion and art. The latter is a travelogue recording Watsuji’s impressions of Nara’s temples and Buddhist statues, but it can also be read as a practical embodiment of the ideas found in
The Revival of the Idol. In Pilgrimages to Ancient Temples, it can be observed that idols serve as a bridge between self and other and become devices for recreating the symbolic meaning revealed therein, thus allowing us to understand “pilgrimage” as a spiritual enquiry in which we question the very nature of the self, which, standing before the idol, trembles in that space between religion and art, faith and beauty.
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