The purpose of this paper is to consider philosophically symbolic meanings of sport as expressed in the medium of film. More specifically, a hermeneutic analysis will be conducted of the structure and functions of the meanings conveyed in one particular film, namely, “
Chariots of Fire.” The study will involve an investigation of the following three items: (1) the formation processes entailed in the production of sport images; (2) rethinking of the nature of sporting values represented; and, (3) the symbolic meanings of the sport represented.
To engage in a hermeneutical analysis of sport, it is necessary to interpret the playtext of sports in accordance with a specific context and in consideration of the prevailing metatext. Consequently, “
Chariots of Fire” will be investigated and interpreted in this threefold framework.
Obviously, even the title “
Chariots of Fire” has strong religious and other symbolic meanings. The body of the film conveys many symbolic images including, for example, instances of racism and muscular Christianity. This paper will investigate these and other images within the context of the expressed purpose of the film producers. It will be demonstrated that sport films, such as “
Chariots of Fire, ” are highly effective mechanisms by which to present, communicate, and reinforce a wide range of symbolic meanings, thus causing the viewer to reflect anew upon both the nature and purpose of sport.
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