巻号一覧
63 巻 (2016)
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63 巻, 4 号
選択された号の論文の11件中1～11を表示しています
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A Survey of Product Design Students' Attitude Toward Environmental ConsciousnessEdilson Shindi UEDA2016 年 63 巻 4 号 p. 4_1-4_10
発行日: 2016/11/30
公開日: 2017/02/10
ジャーナル フリーIn order to disseminate and promotion of design education in the sustainable (DES) context in the academic and professional field, this research introduces the theoretical study of DES and a case study of 620 product design students' attitude, knowledge and viewpoint toward environmental consciousness. According to the results of the survey, the students' strong consideration of socio-cultural principles is the most important factor for solution of the present environmental issues, showing a pro-environmental consciousness that was also evident in the students' capacity as consumers since they consider environmental aspects when purchasing products. The majority of 491 students who did not receive environmental education expressed a strong desire to receive environmental information, with the primary topics related to examples of environmentally friendly products (eco-products).抄録全体を表示PDF形式でダウンロード (2348K) -
Chung-Yi TSAI, Cheng-Lein TENG, Rong-Chi CHANG2016 年 63 巻 4 号 p. 4_11-4_20
発行日: 2016/11/30
公開日: 2017/02/10
ジャーナル フリーAs governments from all over the world have sequentially developed cultural and creative industries, the Taiwanese government has also proposed relevant policies to promote cultural and creative industries, thus making cultural product development one of Taiwan's developmental projects. The designs and discussions of cultural products have become crucial issues since an increasing number of researchers are conducting research on related topics. This study aims to discuss design methods and consumers' perceptions of cultural products. We first collected cultural products and the adjective terms selected through expert interviews. After implementing factor analysis, we extracted the following four factors that construct consumers' cultural perceptions: appearance, charm, stories, and harmonizing. We then applied correlation analysis on the following design methods of cultural products: direct modeling, simile, and metaphor. The results of the correlation analysis show that design methods have significant impacts on cultural factors.抄録全体を表示PDF形式でダウンロード (1006K) -
Report and insights from an international collaborative workshop between Chiba University and Köln International School of Design, supported by FujitsuGiovanni INNELLA, Paul A. RODGERS, Takayuki HIGUCHI, Andreas Muxel, Al ...2016 年 63 巻 4 号 p. 4_21-4_28
発行日: 2016/11/30
公開日: 2017/02/10
ジャーナル フリーThis paper chronicles and reflects upon the experiences gathered from a design workshop conducted at Chiba University, with students from Chiba University, Köln International School of Design and with the support of Fujitsu. During the workshop, participants were invited to continuously build and prototype their ideas, rather than following the conventional design process of idea generation, visualization and, only at a later stage, prototyping. Such a hands-on approach proved beneficial in the communication among participants as well as in simplifying the design process. In fact, by working on quick and approximate prototypes, participants could more easily express their ideas overcoming language barriers and visual representation skills. Furthermore, physical prototypes helped participants to identify the key aspects of their proposals and focus on those. Finally, those prototypes also served as useful props to enact the experience of using the proposed artefacts and services.抄録全体を表示PDF形式でダウンロード (1134K) -
Mei-Chun CHEN, Fu-Yuan LI2016 年 63 巻 4 号 p. 4_29-4_38
発行日: 2016/11/30
公開日: 2017/02/10
ジャーナル フリーIn order to explore the cultural value of Chinese opera, this paper discusses the lavishness of Beijing Opera from a design perspective. this paper finds that the movement, narration, cue, costume, stage props and mask like facial make-ups (Lianpu) in the performance all have their specific symbolic meanings and aesthetic content. Lines, patterns and color of mask-like facial makeup indicate the traits and dispositions of the characters, such as loyalty, wickedness, righteousness, and evilness, as well as the norms of interpersonal relationships in the Chinese culture and society. This study aims to explore the mask-like facial makeup of Chinese Beijing Opera, analyze the meanings of different masks, establish the designing rules based on expert opinions, and apply such designing rules to fashion design. The findings are expected to bring new insights to the art of Chinese opera and propose image transformation design as reference for cultural and creative design.抄録全体を表示PDF形式でダウンロード (1329K) -
Yu-Min Fang, Mu-Chien Chou, Chao-Wei Hsu2016 年 63 巻 4 号 p. 4_39-4_48
発行日: 2016/11/30
公開日: 2017/02/10
ジャーナル フリーHow designers effectively create pleasant products by using visual stimulation and product experience has become the mainstream of consumer market for users. This study aimed to explore the relationship between emotional design products and user experiences. In user-product interaction, Norman proposed that the aroused emotion includes three design levels: visceral, behavioral, and reflective dimensions. This study applied the three levels of Norman's theory on emotional design and PrEmo scale to measure the product experiences, the degree of emotional arousal, and purchase intentions in visual stimulation stage and product experience stage. 42 subjects were asked to perform assigned tasks and fill out the questionnaires before and after the experiencing processes. The assigned tasks required subjects to make a cup of lemonade using high and low emotional arousal product groups, including whistling kettles, squeezers, and glass cups. The findings were summarized from the following aspects: (1) Product experience could greatly affect user satisfaction; (2) Only the high emotional arousal products generated a significant effect on users after the product experience; (3) In the visual stimulation stage, the users were more attracted by and were more willing to buy high emotional arousal products than low emotional arousal products.抄録全体を表示PDF形式でダウンロード (1492K) -
Thongthai Wongwichai, Takamitsu Tanaka2016 年 63 巻 4 号 p. 4_49-4_58
発行日: 2016/11/30
公開日: 2017/02/10
ジャーナル フリーThis study have two experiments. Experiment 1 compared the different play's time in difficulty levels of assembling three types of cube puzzle. Experiment 2 discusses the experimental observations for verifying "What causes the joint of a cube puzzle difficult to assemble". The experiment 1 involved 50 participants who composed three types of cube puzzles produced in the same color, material, size and number of components. After the 50 participants composed all the types of the cube puzzle, the recorded time was statistically analyzed. The result of experiment 1 showed that the play's time of the three cube puzzles were significantly different. In experiment 2, three patterns of difficult joints called tricks were compared by an error score. It was found that the relationship between form and space in different tricks influences the levels of difficulty. Further, the sign called "Close Space" was found to effectively guide player's understanding while composing a difficult joint in the next step during assembly.抄録全体を表示PDF形式でダウンロード (1520K) -
Rice Postharvest Utilization Culture in Indonesia (1)Pandu PURWANDARU, Dudy WIYANCOKO, Akira UEDA2016 年 63 巻 4 号 p. 4_59-4_68
発行日: 2016/11/30
公開日: 2017/02/10
ジャーナル フリーLike other Asian countries, Indonesia's staple food is rice and rice crops are its primary agricultural output. This reality addresses traditional Javanese as one of the ethnicities in Indonesia which have a close relationship with rice cultivation using postharvest rice plant materials or equipment in their daily lives. This paper aims to identify the Javanese agricultural community's tradition in utilizing beras (rice), wuli (rice ear), damen (rice straw), merang (panicle stem) and mrambut (rice husk) as utility purposes through the lens of the Klaten Regency, Central Java, Indonesia as a case study. A field survey of the farming community found that Javanese were utilizing rice postharvest materials mainly for rice field and house activities. In production, there are 9 methods which mainly producing damen artefacts by bundling, tying and stacking. While in the process of utilization, there are 3 values practiced by Javanese which consist of individual, community relation, and mythological. This paper concludes that the culture of utilizing postharvest rice plants in the Indonesian agricultural community exists especially for the Javanese.抄録全体を表示PDF形式でダウンロード (2915K) -
Rice Postharvest Utilization Culture in Indonesia (2)Pandu PURWANDARU, Dudy WIYANCOKO, Akira UEDA2016 年 63 巻 4 号 p. 4_69-4_78
発行日: 2016/11/30
公開日: 2017/02/10
ジャーナル フリーThe Javanese, as the most populous ethnic group in Indonesia, have their own religion. This religion is influenced by Hindu, Buddhist, and Java animist traditions. These beliefs are practiced by Javanese in a more syncretic way with Islam and Christianity, the major religions practiced in Indonesia. Javanese also perform traditional rituals related to Javanese culture in addition to their worship according to the main religion. In such rituals, offerings are the main component in their effort to establish "communication" with gods. The Javanese are primarily rice farmers and utilize postharvest rice plant parts as the artefacts and materials as offering elements in several rituals. These utilizations commonly represent their prayer to the gods as related to prosperity of rice and basic needs and the hope of fertility, protection, beauty, generosity, and purity. In addition to serving as a symbol for the suppliant's desires, the Javanese also utilize postharvest rice plant part artefacts as representations of gods and as reminders of life values.抄録全体を表示PDF形式でダウンロード (2982K) -
Rice Postharvest Utilization Culture in Indonesia (3)Pandu PURWANDARU, Dudy WIYANCOKO, Akira UEDA2016 年 63 巻 4 号 p. 4_79-4_88
発行日: 2016/11/30
公開日: 2017/02/10
ジャーナル フリーThe Javanese are an Indonesian ethnic group with a long history of rice cultivation culture. However, there is no concrete research detailing the Javanese tradition of using postharvest rice plant materials in daily life. Moreover, after the Green Revolution, the outputs of postharvest rice plants were only classified into two categories: rice as the main commodity product and the rest as waste materials which are burned or absorbed for industrial or livestock needs. These facts are in contrast with the Javanese traditional culture, which optimizes all parts from the postharvest rice plant in daily life activities for both utility and ritual items. This utilization culture was supported by both the physical characteristics of the local rice plant variety and the traditional scheme of postharvest activities. Such activities included cutting the harvested rice plants, distributing, storing, processing into rice and processing unused parts. With these five activities, Javanese were utilizing the postharvest rice plant materials beras (rice), mrambut (rice husk), bekatul (rice bran), wuli (rice ears), merang (panicle stem) and damen (rice straw). In the postharvest scheme there were 7 values practiced by the Javanese community. These were spiritual, economical, ecological, social, utility, mythological and education values.抄録全体を表示PDF形式でダウンロード (1573K) -
Ming-Ying YANG2016 年 63 巻 4 号 p. 4_89-4_98
発行日: 2016/11/30
公開日: 2017/02/10
ジャーナル フリーThis study investigated gender differences in the vocational maturity and career choices of ID students in Taiwan. The participants were 745 product and industrial design (ID) students from 18 universities. The results showed the degree of vocational maturity for the ID students was generally positive. Those with a higher level of vocational maturity were more likely to have an idea of what they wanted to do after graduation. Male ID students generally had a higher positive score on vocational maturity than female ID students did. Male ID students are more likely to work or further study in the ID sector than female ID students are. The outcome can be used to plan career guidance programs for ID students and improve design education.抄録全体を表示PDF形式でダウンロード (1002K) -
Wen-Chi CHUANG, Shang-Chia CHIOU2016 年 63 巻 4 号 p. 4_99-4_108
発行日: 2016/11/30
公開日: 2017/02/10
ジャーナル フリーThis paper is intended to discuss the development of interior design in Taiwan since the end of World War II in 1945 until today. The author adopts the literature analysis method to gather and examine related documents on post-war socio-cultural backgrounds to study the development of interior design. Historical records are sorted through to extract valuable materials to compensate for the shortage of files on the development of interior design. The main conclusions are as follows: Society, culture, politics, and economy have influenced the development of interior design in Taiwan. The governmental, industrial, and academic developments of interior design corresponding to the needs of the times. There were differences between design thinking and techniques from the early stage in which professionals with an art design or architectural background dominated design to the period in which graduates from the department of interior design became common.抄録全体を表示PDF形式でダウンロード (916K)
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