This article will introduce and analyze the manuscript “Sanbo Yōran” (handbook for women in sericulture) completed and prefaced by TAKEDOMI Kanryō, a Confucian scholar of the domain of Saga. It was written in the 6th month of the 15th year of Genroku (1702), only 5 months after the publication of NOMOTO Dōgen's “Kogai Yōhōki” (Method of sericulture), usually considered the first sericultural book in Japan. Chapter one presents an outline of the manuscript, a sketch of the author's life and his friendship with FUJII Ransai, the preface writer and a fellow Confucian scholar. In chapter two, the whole text of the manuscript is transliterated with detailed annotations based on bibliographical sources from Chinese agronomical books and Japanese waka literature. Chapter three examines the origins of the 15 plates illustrating the process of sericultural work, and also suggests, first, an affinity with the reprint-edition of Lou Shou's “Genzhi Tu” by KANOU Einou (Kyoto, 1676) and, second, the important role played in the production of the text by the cultural circle around FUJII Ransai and TAKEDOMI Kanryõ.
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