マス・コミュニケーション研究
Online ISSN : 2432-0838
Print ISSN : 1341-1306
ISSN-L : 1341-1306
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66 巻
選択された号の論文の21件中1～21を表示しています
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■特集　戦時におけるメディアと権力――日本を中心として
■論文
  • オーディエンスの身体
    音楽享受をめぐって
    鍵本 優
    2005 年66 巻 p. 74-90
    発行日: 2005/01/31
    公開日: 2017/10/06
    DOIhttps://doi.org/10.24460/mscom.66.0_74
    ジャーナル フリー
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    　The paper attempts to relate two modes of enjoying music for audience. One is identifying with others or ideas through interpreting about the meaning. The other is the identification toward nothingness through the textural reception of sounds. 　　The way of discussion is to reconsider the body of audience as a field theoretically. This paper suggests that there are four directions of enjoying music with the change of the image of a body. 　　In conclusion, the experience of music audience is that the multilayer images of a body are changing and being connected with each other in the process of reception.
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  • ネットに媒介される儀礼的パフォーマンス
    ２ちゃんねる・吉野家祭りをめぐるメディア人類学的研究
    伊藤 昌亮
    2005 年66 巻 p. 91-110
    発行日: 2005/01/31
    公開日: 2017/10/06
    DOIhttps://doi.org/10.24460/mscom.66.0_91
    ジャーナル フリー
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    This paper applies a performative view, not a communicative view, to the largest online community in Japan, Channel 2 by analyzing its typical collective action called Yoshinoya Festival, from both aspects of its online communications and offline events. Behaviors in online communications are analyzed quantitatively based on the methodology of CMC studies, and those in offline events are analyzed qualitatively based on that of cultural anthropology. Then the problematic characteristics in Channel 2 are discussed.
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  • 日本近代「美術」の成立とジャーナリズム
    坪井 りん
    2005 年66 巻 p. 111-128
    発行日: 2005/01/31
    公開日: 2017/10/06
    DOIhttps://doi.org/10.24460/mscom.66.0_111
    ジャーナル フリー
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    This paper examines what kind of roles journalism played on the foundation of Modern “Art” at the Meiji era in Japan. It first looks at how arts were reported by journalism when it had not yet been established as a system and discusses the intimate relation between two. It then examines how the relation gradually changed with the commencement of art exhibitions, focusing on the newspaper coverage on the “Hakubakai” exhibitions. Finally, it looks at the Bunten, the national art exhibition held by Ministry of Education, and discusses how journalism shifted to overheated reports, naturally resulting to affect the viewers.
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■二〇〇四年度春季研究発表会　ワークショップ報告
■研究会の記録（二〇〇四年四月〜二〇〇四年一〇月）
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