Japanese Literature

Online ISSN : 2424-1202
Print ISSN : 0386-9903

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Volume 42, Issue 11

Displaying 1-33 of 33 articles from this issue

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[title in Japanese]

Article type: Cover
1993 Volume 42 Issue 11 Pages Cover1-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_Cover1

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[title in Japanese]

Article type: Cover
1993 Volume 42 Issue 11 Pages Cover2-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_Cover2

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[title in Japanese]

Article type: Appendix
1993 Volume 42 Issue 11 Pages App1-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_App1

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[title in Japanese]

Article type: Appendix
1993 Volume 42 Issue 11 Pages App2-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_App2

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The "Extraordinary" Narrator : the Discourse of Heibon (The Ordinary) by Futabatei Shimei(<The Special Issue>Literature of Naturalism and "Description")

Osamu Takahashi

Article type: Article
1993 Volume 42 Issue 11 Pages 1-9
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_1

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This paper attempts to analyze Futabatei Shimei's Heibon the novel frequently discussed in relation to Naturalist Literature. This approach maintains that the "description" in Heibon differs from the description aiming to achieve the naturalistic "objectivity"; it is delivered through the "subjective" qualities of the narrator rather than his perceptions and sensations. That aspect was made an example of "direct writing," emphasized in the program for colloquial writing since 1908, often anthologized in Japanese textbooks. Seen from the stand point of contemporary influence, the characteristics of Futabatei's "genbun icchitai" (correspondence of speech of and writing) should be discerned in Heibon.

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The Silent Narrator : the Description and Narration of Shimazaki Toson's Haru(Spring)(<The Special Issue>Literature of Naturalism and "Description")

Akio Kaneko

Article type: Article
1993 Volume 42 Issue 11 Pages 10-19
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_10

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The fictional expression of Shimazaki Toson's Haru projects the narrator as a discursive subject that suppresses narrating, through its adherence to illumining the narrative from outside. The reader, in turn, attempts to fill in the blank space of the silent narrator whose presence nearly contains objective description with the image of the author, seeking to detect the truth untold by the author behind the descriptions he arranged. Such a circuit of communication between the author and the reader as this henceforth constitutes the foundation of a social status of the novel.

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The Intellectual History of Flatness : on the "Flat Description" of Tayama Katai(<The Special Issue>Literature of Naturalism and "Description")

Kiyoshi Fujimori

Article type: Article
1993 Volume 42 Issue 11 Pages 20-27
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_20

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The metaphor of "flatness" in the theory of "flat description" prevalent in the 1900s was used by Tayama Katai as the one charged with positive values, since Katai himself was influenced by the use of perspective as an alternative means of description employed in the Impressionist paintings in the 19th century France. This metaphor became influential in the contemporary discursive space, because the bird's eye view realized in the panoramic description fashionable in the 1880s and the early 1890s had lost its freshness as a mode of new vision, quickly becoming a mere premise.

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The Landscape with Hayashi Seizo : Formation and Expression of Inaka Kyoshi(A Country Teacher)(<The Special Issue>Literature of Naturalism and "Description")

Morio Yoshida

Article type: Article
1993 Volume 42 Issue 11 Pages 28-37
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_28

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Tayama Katai's Inaka Kyoshi was allegedly discarded in its primary stage written in 1909, and underwent rewriting since June, 1910. This paper attempts to examine the author's search for a method prior to resuming his work by observing the theories of description formed during the interim period, tracing the formation of the "impressionistic" description of Inaka Kyoshi. It will also contemplate the characteristics of the expression of Inaka Kyoshi by considering its resemblance to the style of Tono Monogatari by Yanagida Kunio, suggested by Yoshimoto Ryumei.

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The Power of Diary as a Magnetic Field : the Practice of Descriptive Writing in Hototogisu(<The Special Issue>Literature of Naturalism and "Description")

Keiko Kanai

Article type: Article
1993 Volume 42 Issue 11 Pages 38-46
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_38

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The descriptive writing initiated in the early 1890s developed with the increasing influence of the literary journal Hototogisu; through the Taisho and Showa periods, it produced many fruitful results, such as the tsuzurikata movement (a movement of writing by everyone), evoking in many the primary desire to write. The January issue of Hototogisu in 1938 included Soseki's Wagahai wa Neko dearu (I am a Cat) and Masaoka Shiki's Gyoga Manroku (Random Thoughts of the Bedridden Man). This paper considers this issue to be a watershed, and attempts to trace the practice of descriptive writing in the journal, focusing on the roles of the genre called diary.

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A Preliminary Thesis on Fujingen by Hori Keizan : beyond the Theories of Love

Lawrence Marceau

Article type: Article
1993 Volume 42 Issue 11 Pages 47-52
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_47

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It is well known that Fujingen, written by Hori Keizan (1688-1757) in his later years, contains the unprecedentedly flexible theories of love. Especially is it undeniable that Keizan's theories of love greatly influenced the young Motoori Norinaga. Nevertheless, it should also be noted that Fujingen contains many statements drastically different from Norinaga's propositions, as well as a great number of topics unrelated to Norinaga's literary theory and thought. In this paper, I attempt to reexamine the content of Fujingen, to reveal its character as a whole. This reexamination will render Keizan's ideas expressed in Fujingen more throughly comprehensible. At the same time, it may lead to the discussion of how Keizan's ideas, apart from their relation to Norinaga, were read and interpreted by contemporary intellectuals.

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[title in Japanese]

Article type: Appendix
1993 Volume 42 Issue 11 Pages 53-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_53

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On the Readers of Nijushi no Hitomi(the Twelve Four Bright-Eyed Pupils) and Biruma no Tategoto(A Burmese Harp)(The Meridian)

Hideo Yorozuya

Article type: Article
1993 Volume 42 Issue 11 Pages 54-55
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_54

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Ono and Kurusuno for Yoshida Kenko(Reading)

Masayoshi Fujiwara

Article type: Article
1993 Volume 42 Issue 11 Pages 56-58
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_56

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[title in Japanese]

Article type: Appendix
1993 Volume 42 Issue 11 Pages 59-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_59_1

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[title in Japanese]

Article type: Appendix
1993 Volume 42 Issue 11 Pages 59-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_59_2

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Takashi Kudo, The Ancient Literature in Festivals and Rites

Rokuji Takahashi

Article type: Article
1993 Volume 42 Issue 11 Pages 60-61
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_60

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Masa-aki Tatsumi, Manyoshui and Chinese Literature, No.2

Asao Mari

Article type: Article
1993 Volume 42 Issue 11 Pages 62-63
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_62

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Norio Akasaka, Freemasonry and Sovereignity

Kazuomi Tada

Article type: Article
1993 Volume 42 Issue 11 Pages 64-66
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_64

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Hiroaki Yamashita, Formation of the Stories of Heike

Manabu Murakami

Article type: Article
1993 Volume 42 Issue 11 Pages 66-68
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_66

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Yuko Tanaka, Edo is the Network

Seiji Konita

Article type: Article
1993 Volume 42 Issue 11 Pages 69-70
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_69

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Takao Kato, Transformation of Aesthetic Values

Akira Naito

Article type: Article
1993 Volume 42 Issue 11 Pages 71-72
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_71

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[title in Japanese]

Article type: Bibliography
1993 Volume 42 Issue 11 Pages 73-74
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_73

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[title in Japanese]

Article type: Bibliography
1993 Volume 42 Issue 11 Pages 74-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_74

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[title in Japanese]

[in Japanese]

Article type: Article
1993 Volume 42 Issue 11 Pages 75-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_75_1

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[title in Japanese]

[in Japanese]

Article type: Article
1993 Volume 42 Issue 11 Pages 75-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_75_2

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[title in Japanese]

[in Japanese]

Article type: Article
1993 Volume 42 Issue 11 Pages 76-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_76_1

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[title in Japanese]

[in Japanese]

Article type: Article
1993 Volume 42 Issue 11 Pages 76-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_76_2

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[title in Japanese]

Article type: Appendix
1993 Volume 42 Issue 11 Pages 77-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_77

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[title in Japanese]

Article type: Bibliography
1993 Volume 42 Issue 11 Pages 78-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_78

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[title in Japanese]

Article type: Bibliography
1993 Volume 42 Issue 11 Pages 81-79
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_81

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[title in Japanese]

Article type: Appendix
1993 Volume 42 Issue 11 Pages 82-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_82_1

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[title in Japanese]

Article type: Appendix
1993 Volume 42 Issue 11 Pages 82-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_82_2

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[title in Japanese]

Article type: Cover
1993 Volume 42 Issue 11 Pages Cover3-
Published: November 10, 1993
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.42.11_Cover3

JOURNAL FREE ACCESS

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