Japanese Literature

Online ISSN : 2424-1202
Print ISSN : 0386-9903

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Volume 44, Issue 12

Displaying 1-32 of 32 articles from this issue

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[title in Japanese]

Article type: Cover
1995 Volume 44 Issue 12 Pages Cover1-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_Cover1

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[title in Japanese]

Article type: Cover
1995 Volume 44 Issue 12 Pages Cover2-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_Cover2

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[title in Japanese]

Article type: Appendix
1995 Volume 44 Issue 12 Pages App1-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_App1

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[title in Japanese]

Article type: Appendix
1995 Volume 44 Issue 12 Pages App2-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_App2

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Waves and a Hand Drum : Expression of Sounds in Ryojin-hisho

Tomoko Ueki

Article type: Article
1995 Volume 44 Issue 12 Pages 1-10
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_1

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In Ryojin-hisho there is a waka poem composed in association with the sea, in which appears the stanza "Wind plays the matsubara-koto...to its sound waves' hand drum resounds breaking ashore." The wind through pinewoods sounds like a matsubara-koto (a kind of lute) while waves a hand drum. Compared with others, this poem contains something modern, especially in its personification of pinewoods and juxtaposition of a hand drum with a lute. (I will mention how the difference between these two instruments leads to the difference in treating them in literature.)

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Re-reading "Nekoma" : Stratification of Narrative Structures in Heike-monogatari

Makoto Takagi

Article type: Article
1995 Volume 44 Issue 12 Pages 11-23
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_11

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Heike-monogatari has the function (or desire) of reinforcing the centralization of government when it treats the ruined country aristocrat Minamoto-no-Yoshinaka marginally as a "fool". But in the "Kakuitsubon" part, that function is undermined by the voice of Yoshinaka himself. Thus the text is overdetermined by its competing narrative structures. There are two opposing voices in the same text - the voice of the characters and that of the narrating subject - that exchange their own ideologies on equal terms.

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Another Version of Kajin-no-kigu (or Pseudo-Kajin-no-kigu)

Junki Kanro

Article type: Article
1995 Volume 44 Issue 12 Pages 24-32
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_24

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In 1889 Sanshi Tokai accused Busho Hattori of pirating his Kajin-no-kigu when Hattori published Tsuzoku-kajin-no-kigu. Kajin-no-kigu has been regarded as a complicated political novel while its counterpart has been dealt with merely as the popular version of the original. But this doesn't shed any light on why Sanshi reacted against Hattori's plagiarism so violently. In this essay, I would like to read Tsuzoku-Kajin-no-kigu in detail comparing it with Kajin-no-kigu so that I might find some expianation for Sanshi's extreme reaction.

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Possessed Narration : On Yukio Mishima's Kinkakuji

Shoji Shibata

Article type: Article
1995 Volume 44 Issue 12 Pages 33-44
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_33

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Kinkakuji is narrated in the first-person by Mizoguchi, the youth suffering from dysphemia. This doesn't mean, however, that the story is narrated through his eyes. Rather it should be attributed to another figure, his clubfooted friend Kashiwagi. Although Mizoguchi comes to harbor the "diabolical idea" from the sense of aesthetic alienation, the process is the result of Kashiwagi possessing him mentally. In this sense, Mizoguchi only acts out Kashiwagi's consciousness as the latter's mouthpiece.

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Beauty and Innocence in Kenji Miyazawa's "Yamanashi"

Yuji Ono

Article type: Article
1995 Volume 44 Issue 12 Pages 45-52
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_45

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Kenji Miyazawa's short tale "Yamanashi" is composed of two parts, "May" and "December." These parts have been interpreted as representing darkness and light or death and life on the basis of the roles of the Kingfisher and Yamanashi (a kind of wild pear tree). But in this essay I would rather trace the growth of the Crab in both of the parts. And he grows up, the Crab loses his childhood innocence, and he acquires beauty when he becomes a father. Considering the meaning of the Crab's growth from innocence to beauty, I would like to offer another interpretation of "Yamanashi."

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Yoichi Ohashi's "Refreshing" Literary Theory(The Meridian)

Kiyoshi Fujimori

Article type: Article
1995 Volume 44 Issue 12 Pages 54-55
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_54

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Basic Report on the 47th JLA Summer Seminar

Hisashi Kinoshita

Article type: Article
1995 Volume 44 Issue 12 Pages 56-60
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_56

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On the Summer Seminar of Japanese Education

Haruo Terai

Article type: Article
1995 Volume 44 Issue 12 Pages 61-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_61

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What I Thought during the Summer Seminar

Genichiro Fukawa

Article type: Article
1995 Volume 44 Issue 12 Pages 62-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_62

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On Tsure-zure-gusa the 160th Passage, "Seikanji Sojo"(Reading)

Masayoshi Fujiwara

Article type: Article
1995 Volume 44 Issue 12 Pages 63-65
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_63

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Ryunosuke Akutagawa's Notebook of "The Whole of India…"(Reading)

Tatsuya Shoji

Article type: Article
1995 Volume 44 Issue 12 Pages 66-69
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_66

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Takashi Okabe, Alien Narratives

Katsumi Nakai

Article type: Article
1995 Volume 44 Issue 12 Pages 70-71
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_70

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Bunji Takahashi, Daydreaming in the Monarchical Age

Yasuyo Ueta

Article type: Article
1995 Volume 44 Issue 12 Pages 72-73
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_72

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Toshio Hiraoka, Biographical Study of Tokoku Kitamura

Zenya Sato

Article type: Article
1995 Volume 44 Issue 12 Pages 74-75
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_74

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Kenji Suzuki, Kenji Miyazawa: The Structure of His Fantastic Space

Shizuka Sugiura

Article type: Article
1995 Volume 44 Issue 12 Pages 76-77
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_76

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Isao Minakami, Tomoji Abe

Yoshiaki Takematsu

Article type: Article
1995 Volume 44 Issue 12 Pages 78-79
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_78

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Shoji Hidaka, Literary Text's Province: Cities, Capital, Films

Ritsuo Taguchi

Article type: Article
1995 Volume 44 Issue 12 Pages 80-81
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_80

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[title in Japanese]

Article type: Bibliography
1995 Volume 44 Issue 12 Pages 82-83
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_82

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[title in Japanese]

Article type: Bibliography
1995 Volume 44 Issue 12 Pages 83-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_83

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[title in Japanese]

Article type: Appendix
1995 Volume 44 Issue 12 Pages 84-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_84_1

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[title in Japanese]

Article type: Appendix
1995 Volume 44 Issue 12 Pages 84-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_84_2

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[title in Japanese]

Article type: Bibliography
1995 Volume 44 Issue 12 Pages 85-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_85

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[title in Japanese]

Article type: Bibliography
1995 Volume 44 Issue 12 Pages 87-86
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_87

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[title in Japanese]

Article type: Appendix
1995 Volume 44 Issue 12 Pages 88-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_88_1

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[title in Japanese]

Article type: Appendix
1995 Volume 44 Issue 12 Pages 88-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_88_2

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[title in Japanese]

Article type: Appendix
1995 Volume 44 Issue 12 Pages App3-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_App3

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[title in Japanese]

Article type: Appendix
1995 Volume 44 Issue 12 Pages App4-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_App4

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[title in Japanese]

Article type: Cover
1995 Volume 44 Issue 12 Pages Cover3-
Published: December 10, 1995
Released on J-STAGE: August 01, 2017

DOIhttps://doi.org/10.20620/nihonbungaku.44.12_Cover3

JOURNAL FREE ACCESS

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