"Nô drama" which was established in the Japanese middle age influenced the another physical cultures established later through the thought of "Waza". In this paper,it aims to make the conceptions of "Waza" clear in "Fushikaden" -one of the olddest Nô drama books written by Nô drama's master Zeami-.The results are as follows:

1.In the basic understandings of “Fushikaden","Waza" means appearance, performance, manner, modeled manner and originality.

2 . In the basic understandings of Zeami's hint, "The flower is the mind and The seed is waza","Waza" means learned manner.

3 . When we consider the hint with regared to The Zen-Buddism which is the back ground of the hint, "Waza" means not only the modeled physical manner, but also modeled mental state.

We are necessary to establish fine and persuasive body theory. The purposes of tins study are to clarify the mind-body theory of Michael Polanyi in order to have that ground. Our study can be summarized as follows;

1.The mind-body theory of Michael Polanyi is represented as a hierarchy of levels to be based on tacit knowledge. He grasps that our mind is the principle of a higher level and our body is the principle of a lower level.

2. Our knowing consists in a from-to relation. We attend from the subsidiary particulars to their comprehensive entity. Our mind are then conscious from certain things which includeour body.

3. Thouguh the mind depends on the bodily mechanisms, it is not determined by them.

4. In a strict sense, Polanyi suggests that the mind directly related to the bodily mechanisms. From a oriental point of view, we can grasp that the bodily mechanisms are similar to unconscious quasis-body, an oriental bodily system of "Qi" .

The purpose of this study was to clarity the factor structure ofperceived competence in movement scene. The results in this study was the following:

1) The perceived competence in movement scene was composed of six factors. Each of those were named "Skill","Understanding", "Self-sufficiency"'," Self-confidence"," cooperation","positivity".

2) "Skill" strongly correlated to "Understanding","Cooperation" and "Positivity". And ''Understanding" considerably correlated to ''Cooperation".

The aim of this study is to make the characteristics of the view of swords found in 'SUIGETUMONDOU' clearer by analyzing the constructure symbolized by the sword. The main characteristics in this historical materials are as follows.

1.The historical materials makes virtue as on attribute to the sword and the human being.

2. The historical materials emphesisez the metonymy relation among the sword, god and the human being.

3. By the theory of the chinese philosophy, the historical materials explains the relation among the sword, god, and the human beingbesides explaining the attribute of the three.

4. The historical materials refers to the mind of the human being who handle with the sword. This mind is the one related to moral rather than mind control.

Since Kamakura era, Bushi had taken Kyujutsu seriously, but there was a marked lowering in the utility of Kyujutsu during Kansei period in Edo. Sadanobu MATSUDAIRA played an active part mainly in this period as a political leader of the Tokugawa Shogunate or a master of Martial Arts. In this sutudy, I paid attention to the point that he developed the new and utility school of Kyujutsu. Summaries were as follows. In Sadanobu MATSUDAIRA's childhood, he was coached Kyujutsu by the superior Bushi. Sadanobu MATSUDAIRA had considered that Kyujutsu was not effective as a military power against the foreign countries. However, he had realized that kyujutsu was one of the methods to rule the world. The new school, OIE-RYU-KYUJUTSU, that was formed by Sadanobu MATSUDAIRA, had something m common with new KOUOTSU-RYU. Both OIE-RYU-KYUJUTSU and new KOUOTSU-RYU were Martial Arts that assumed actual fighting.

Seizan Matura is a politician of late modern age of Japan (from the latter half of the 18th century to the first of the 19th century).

He is famousu for not only a man of culture but also a top master of military arts.

The purpos of this sutudy is to make clear his view of military arts from his books.

The outline of his view of military arts is the following.

1. It is "mind" that control techniques on military arts. But it has many difficult problems.

2. Seizan thinks much of ethical part of mind on the master of military arts. The mind which was acquired by military arts is utilized in daily life.

3. Seizan graps military arts, to one of physical activity for methods of care of health in an argument of care of health, until the middle of the Edo era.

This thesis aims at making clear the process of the establishment of Suifuryu which was once composed of three schools (Shinkageryu,Ittoryu,Shinkagenoryu) .The establisher of Suifuryu is Nariaki Tokugawa,9th land of Mito Clan. The main point of this thesis is as follows:

1. Shinkageryu was imbibed into Suifuryu and was handed down to Mito Clan by Masaharu Iizuka who was a ronin(a masterless samurai) born in Koshu. The fact is distinct by studying such historical materials as 'SUIFU-BUJYUTU-DENKEI' and 'SUIFURYU-HEIHOU-RYAKUKEI'.

2. Five Kenjyutu styles out of eight stem from the secret exquisite Kenjyutu styles of shinkageryu. This fact show the samurais (feudal warriors) of those days were going to introduce the secret Kenjyutu styles into Suifuryu Kenjyutu.

3. The number of Kenjyutu styles of Shinkageryu whish were adopted by Suifuryu is smaller than those of Ittoryu. One of the main cause is that the disciples of Shinkage-ryu were comparatively oflow social standing in Mito Clan.