The field of modern dance has always supported the idea of “creative dance" in physical education. This research study clarifies the contributions of Baku Ishii, Takaya Eguchi, and Masami Kuni to modern dance, and notes their influence on postwar dance education.
Baku Ishii took his guidance from ballet but chose to produce his own unique creative dance that was not an imitation of Western modern dance. He is considered to be the pioneer of Japanese modern dance.
Takaya Eguchi was taught by Mary Wigman in Germany and brought the theory and exercises of neue Tanz, based on the Rudolf Laban method, to Japan. He is known for popularizing Japanese modern dance.
Masami Kuni learned from Laban and Wigman, and contributed to the field in numerous ways: by analyzing the dancing space of Laban, by developing a basic creative technique, by designing a training method of body exercise for the creation of dancing, and finally by creating a constitution method. He attempted to systematize the methodology of modern dance in Japan.
After World War II, “creative dance" was introduced into physical education as a dance to “draw self-expression," and those teachers who did not understand this creative method received guidance from modern dancers. However, it was difficult for the physical education teachers to practice Eguchi's and Kuni's creative methods. Therefore it was necessary to modify modern dancers' methodology. Eguchi realized that modern dancers' methodology was unavoidable and therefore expected the physical education teachers to put in additional effort and study hard in the future.
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