The purpose of this study is to clarify the characteristics of Shintō-like religious traits in Shintō-ryū kenjutsu.
Exploring the myths found in the Heihō jikanshō scroll of the Shintō-ryū, we found that the religious influence of Shintō was immense. As a manifestation of Shintō religious traits, a unique mythological image was formed with the following characteristics:
- The first thing that became clear was the existence of a magic tradition centred on the warrior god Takemikazuchi and the Futsunomitama-no-tsurugi (divine sword).
- The Futsunomitama-no-tsurugi together with the Kusanagi-no-tsurugi are said to be the two great magical swords of ancient times. However, the Kusanagi-no-tsurugi is not mentioned in the Heihō jikanshō. This provides evidence of Futsunomitama-no-tsurugi's importance in the Shintō-ryū.
- One of the most distinctive magic features in the Shintō-ryū not seen elsewhere is related to the Mitama-no tsurugi majifuru-no-tachi divine sword. This is also described as a “sword dance" and swinging the sword as an act purification was clearly a Shintō-like magical sword technique.
- This can be understood as a direct link between the magical and martial arts.
- A peculiarity of the Shintō-ryū is that it authorises a link between strategy in subduing the mythical serpent Yamata-no-Orochi, and military law, strategy, and tactics of the Kōshū-ryū military school and Sun Tzu's Art of War.
- Notably, as already discussed in another paper, there was a modification made to the myth of “kuni-yuzuri" (transfer of the land from the earthly to heavenly gods). The creation of myths in medieval times has been pointed out in previous research, but this study shows that myths were known to be modified, and narratives mythologised in kenjutsu.
In Shintō-ryū kenjutsu, there is no doubt that the Shintō-like religious characteristics discussed above were present from at least the time of Tsukahara Bokuden, who is acknowledged as the founder of the school. However, this study has shown that from the mid-modern period until the time of the Heihō jikanshō, these traits were imparted with their own unique, mythical imagery.
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