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  • 「前史」 の考察を手がかりに
    青島 忠一朗
    オリエント
    2015年 57 巻 2 号 16-28
    発行日: 2015/03/31
    公開日: 2018/04/01
    ジャーナル フリー
    In the Neo-Assyrian royal inscriptions we find accounts of the past that are inserted in the form of a relative clause, that function to embellish the king's image. In this paper I discuss how the king is represented by dealing with the accounts of the past in the narrations of the campaigns.
     In the Neo-Assyrian royal inscriptions, accounts of the past often refer to the deeds of the king's predecessors. The king emphasizes his heroic priority by stating that no previous king had accomplished a certain achievement that he had (the so-called Übertreffungsmethaphorik). For example, the king has marched in regions that none of his forefathers had set foot in and has subjugated enemies who had threatened Assyrian territory or foreign rulers who had been unsubmissive since early times. These motifs depict the king as a capable military leader (a conqueror and protector of the land), the traditional royal portrait that goes back to the Middle Assyrian period. Moreover, a reference to the voluntary surrender of a previously unsubmissive ruler from a distant place highlights the might of a king who overwhelms without the need to do anything. The comparison to the previous kings does not always emphasize his heroic priority. By referring to the faults of his predecessors, the account represents the king as a true king and legitimates his kingship.
     However, from Sargon on, accounts about the past without the Übertreffungsmethaphorik appear. The most prominent theme is the king's favor to his vassals, especially his appointing them as rulers and guaranteeing them their positions. This theme highlights a new aspect of the king, that of benefactor. The expansion of Assyria from the time of Tiglath-pileser III caused tensions with the neighboring great powers. In this situation, the king treated the vassal states at the periphery more favorably than before in order to keep their loyalty. This led to the introduction of representing the ruler as a warm-hearted king.
  • 柴田 大輔
    宗教研究
    2015年 89 巻 2 号 269-295
    発行日: 2015/09/30
    公開日: 2017/07/14
    ジャーナル フリー
    現在のイラク北部を中心に繁栄した古代の領域国家
    アッシリア
    の王宮と国家神アッシュルの神殿は異なる組織によって運営されたが、両者は統治において一種の共犯関係にあった。王宮を中心とする行政機構によって統治された国土は、理念上国家神の所有とされた。その国家神は神殿において祀られていた(「扶養」されていた)が、この神の祭祀に必要な物資は、規定供物の制度を通じ、
    アッシリア
    を構成する全行政州によって共同で賄われた。さらに、規定供物の制度は、理念上で国家神の祭司を兼任した王の直属の人員によって統括された可能性が高い。
  • 青島 忠一朗
    オリエント
    2018年 60 巻 2 号 169-183
    発行日: 2018/03/31
    公開日: 2021/04/01
    ジャーナル フリー

    This paper discusses how rebellions were described in the Assyrian royal inscriptions and the role of such descriptions, taking the inscriptions of Esarhaddon as an example.

     The inscription written in 676 BC (RINAP 4, No. 2) describes only the event concerning Bīt-Dakkuri as a rebellion. In contrast to this inscription, a later inscription written in 673 BC (RINAP 4, No. 1) begins with an “apology” that details Esarhaddon’s succession through suppressing the coup of his brothers, and then reports the rebellions in the “Sea land” and in Sidon, which are not described as rebellions in the earlier inscription.

     The addition of the “apology” and the rewriting of the accounts are related to the political circumstances at the time of the composition of the inscription: the Assyrian defeat in Egypt and the appointment of Ashurbanipal as the crown prince. These events pressed Esarhaddon to legitimate his authority and to pay more attention to the risk of rebellion. The series of accounts of rebellions placed at the top of the inscription functioned to warn potential rebels against plotting a rebellion, by presenting typical rebellions by ruling elites and describing the fate that they met.

     The ruler of Arzā, whose behavior is not described as rebellious in the earlier inscriptions, is first described as a rebel in the inscription written after the conquest of Egypt (RINAP 4, No. 30). Arzā had been topographically important as the boundary that was used to glorify royal deeds in Assyrian royal inscriptions. Therefore the campaign to Arzā had been described as military activity in a foreign land, but after the conquest of Egypt the city lost its significance as the boundary.

  • アッシュルナツィルパル2世の王碑文を例として
    青島 忠一朗
    オリエント
    2016年 59 巻 1 号 14-26
    発行日: 2016/09/30
    公開日: 2019/10/01
    ジャーナル フリー

    This paper discusses how the accounts of rebellion in Assyrian royal inscriptions were described and manipulated, taking the Annals of Ashurnasirpal II as an example.

     Accounts that deal with rebellions can be divided into two types : 1) those where the suppression of the rebellion is clearly mentioned, and 2) those where a punitive expedition is presented in a way to suggest that the military activity is unrelated to a rebellion. Those of the first type present putting down rebellious acts that disturb the world order as the reason for the campaign. By describing those acts the accounts put enemy in the wrong and justify the military activity of the king.

     Those of the second type, where the rebellion is concealed, include not only accounts of unsuccessful punitive expeditions, but also those of campaigns that fulfilled their aim. A number of rebellions in the same region, even if the king subjugated them each time, might expose the incompetency of the king and the fragility of his rule. Since this does not lend itself to royal praise, the accounts describe only the last rebellion in a certain region as such.

     The failure to mention the rebellion in the account was not merely intended to cover up an unfavorable fact, but was also utilized to glorify a royal deed. If a description of the rebellion is left out of an account, it is indistinguishable from the account of a campaign against a foreign land. The punitive expedition is thus described as if it was a military activity against an unsubmissive ruler. In particular, through first hiding and then mentioning rebellions, the suppression of repeated rebellions in the same region is transformed into the conquest of "unsubmissive" land and the stabilization of the kings rule through the elimination of the rebel.

  • 山田 恵子
    オリエント
    2002年 45 巻 2 号 1-25
    発行日: 2002年
    公開日: 2010/03/12
    ジャーナル フリー
    The variety in the appellations of seas attested in the Assyrian royal inscriptions from different times essentially originated in scribal efforts to renovate the use of geographical terminology. In course of time most of the terminological components went through changes in usage. A representative case is tâmtu elenitu ša šalamu šamši, “the upper sea of the setting sun”. This term originally designated Lake Van in the texts of Tighlath-pileser I, but some four hundred years later the same term was used to refer to the Mediterranean in the texts of Sennacherib. We recognize two major factors behind this phenomenon.
    One was the creation of the term “the sea of the setting sun” (tâmtu ša šulmu šamši) to designate the Mediterranean in the reign of Shalmaneser III. This term became a common appellation of the Mediterranean in later Assyrian inscriptions, and in the texts of Sargon II it was almost the exclusively-used term for the Mediterranean.
    The other factor was the establishment of tâmtu elitu (upper sea) as a major appellation for the Mediterranean in the late Neo-Assyrian period. Here we deal with two similar but originally distinguished terms, t. elenitu and t. elitu, both literally meaning “upper sea”. The former had been applied for the first time to the Mediterranean in the later texts of Tiglathpileser I (t. elenitu ša mat amurri, “the upper sea of Amurru”), departing from its original usage for Lake Van as attested in the texts of Tukluti-Ninurta I as well as those of Tiglath-pileser I himself. On the other hand, t. elitu, though it had been a classical term for the Mediterranean in the Mesopotamian tradition since the Old Akkadian period, usually forming a pair with “the lower sea” (t. šaplitu), i. e., the Persian Gulf, was not used as a major term in the Assyrian royal inscriptions until the reign of Tilath-pileser III. When Sennacherib's scribes revived within the royal epithets the archaic expression for Lake Van, “the upper (elenitu) sea of the setting sun”, it was undoubtedly regarded just as a variant of the current term for the Mediterranean, “the upper (elitu) sea of the setting sun”.
  • 杉 勇
    日本オリエント学会月報
    1961年 4 巻 1 号 1-12
    発行日: 1961/01/25
    公開日: 2010/03/12
    ジャーナル フリー
  • 中田 一郎
    オリエント
    1975年 18 巻 2 号 109-118
    発行日: 1975年
    公開日: 2010/03/12
    ジャーナル フリー
  • 松島 英子
    オリエント
    1979年 22 巻 2 号 116-129
    発行日: 1979年
    公開日: 2010/03/12
    ジャーナル フリー
  • 木田 献一
    日本の神学
    1991年 1991 巻 30 号 9-26
    発行日: 1991/09/05
    公開日: 2009/10/23
    ジャーナル フリー
  • 有松 唯
    オリエント
    2014年 57 巻 1 号 83-87
    発行日: 2014/09/30
    公開日: 2017/10/01
    ジャーナル フリー
  • 石碑に見る図像と碑文を中心に
    江原 聡子
    オリエント
    2020年 63 巻 2 号 135-148
    発行日: 2021/03/31
    公開日: 2024/04/01
    ジャーナル フリー

    The city of Ḫarrān in northern Syria, the northernmost part of Mesopotamia, has a history of more than 3,000 years, extending from the 3rd millennium BCE to the 13th century CE. Ḫarrān has long been famous as a religious center of the worship of the moon god Sîn, though he may have originated from the moon god Nanna/Sîn of the Sumerian city Ur. Sîn was politically and religiously developed the most during the Neo-Assyrian Era. Therefore, in order to explore his essence, this paper analyzes the icons and the inscriptions of the Neo-Assyrian steles related to him.

    During the Neo-Assyrian Era, Ḫarrān was in the realm of the Aramaeans. The Assyrian Empire used Sîn of Ḫarrān for its own western expansion policy. Examination of the steles engraved with the crescent moon, the symbol of Sîn of Ḫarrān, reveals that this god was the guarantor of boundaries and had the character of a war god and was incorporated into the Assyrian pantheon. Furthermore, from the distribution of the excavated steles, it is presumed that his original range of influence extended to the whole of northwestern Syria. It is probable that, due to the activities of the Aramaeans and the expansion policy of Assyrian Empire, his influence extended even to present-day Palestine and Jordan.

    In the Aramaean realm of the western territory of the Assyrian Empire, Sîn of Ḫarrān became the guardian god of Assyria’s western expansion policy and possessed overwhelming authority as a guarantor and maintainer of agreements between nations. The steles related to Sîn of Ḫarrān in the Neo-Assyrian Era were the products of this complex view of religion. Eventually, the authority of Sîn of Ḫarrān led to Sîn’s being conceived as the national god by Nabonidus, the last king of the Neo-Babylonian Empire.

  • 2005年テル・タバン出土中期アッシリア文書
    柴田 大輔
    オリエント
    2008年 51 巻 1 号 1_69-1_86
    発行日: 2008/09/30
    公開日: 2012/02/21
    ジャーナル フリー
    The 2005 excavation at Tell Taban (ancient Tabetu), located in the Middle Habur region, brought to light a Middle Assyrian archive which documents the administration of the local palace. This paper offers a preliminary report on this archive as well as a study of the political status of the city in the Middle Assyrian period on the basis of the new material. The cuneiform texts constituting the archive were written during the mid 13th and early 12th centuries B.C.E. The archive reveals that the city had an unusual political position within Assyria: the city was subject to Assyrian rule, but retained a privileged position as a local kingdom, differing from other provinces (pahutu) in many respects. First of all the city was governed not by a governor (bel pahete) but local rulers, who bore the title “king of the land of Mari” (šar mat Mari) and formed a local dynasty at least from the mid 13th to the early 11th centuries B.C.E. It seems very probable that this position was acknowledged in the Assyrian capital, the city of ššur. There is a possibility that the local dynasty was an offshoot of the Assyrian royal family. The geographical name “the land of Mari” in the titles of the local rulers, reminiscent of the city of Mari in the 3rd and early 2nd millennia B.C.E., seems to derive from a local tradition originating in the period when the city of Tabetu was ruled by the city of Mari and its successor, the city of Terqa, in the 18th century B.C.E.
  • アッシュル・ナツィルパル2世の王座の間レリーフを中心に
    渡辺 和子
    オリエント
    2003年 46 巻 2 号 92-112
    発行日: 2003年
    公開日: 2010/03/12
    ジャーナル フリー
    Das berühmte Relief Assurnasirpals II. im Thronsaal des Nordwest-Palastes zu Kalhu, das hinter dem Thron angebracht war, besteht aus folgenden Bestandteilen: geflügelte Sonne, darunter “Heiliger Baum, ” zwei sich gegenüber stehende Könige, hinter ihnen jeweils ein Genius. Die Interpretation sowohl der Einzelteile als auch der Gesamtdarstellung ist unter den Forschern strittig. Die geflügelte Sonne wird oft als Aššur, manchmal als Šamaš gedeutet. Kontrovers ist auch, warum der assyrische König zweimal dargestellt ist.
    Unter den symbolischen Darstellungen der Götter in Assyrien gibt es genügend Belege dafür, daß die Hörnerkrone-in Babylonien Symbol des Anu und des Enlil-für Aššur, und die geflügelte Sonne für Šamaš steht. Das Symbol des Šamaš wird aber im Prinzip zusammen mit dem Symbol des Sîn (Mondsichel), manchmal auch mit den Symbolen der anderen Götter dargestellt. Den Erwähnungen des Šamaš im schriftlichen Material ist zu entnehmen, daß Šamaš im offiziellen assyrischen Pantheon keine höchstrangige Stellung zukam.
    Eine Betrachtung der Siegel der hethitischen Großkönige dürfte für eine überzeugendere Deutung des fraglichen assyrischen Reliefs hilfreich sein. In der Mitte steht, in hieroglyphischen Zeichen, der Großkönigsname. Darüber schwebt eine geflügelte Sonne, die als Hieroglyphe “MAIESTAS” genannt wird und der keilschriftlichen Titulatur DUTU-, ŠI (“meine Sonne”) entspricht. Beiderseits des Großkönigsnamens steht das Determinativ für “Großkönig”. Die Wiederholung des Determinativs ist an sich überflüssig und einzig durch die symmetrische Anlage bedingt. Bei einem gemeinsamen Siegel des Großkönigs und der Großkönigin wird ein Determinativ für “Großkönig” durch das Determinativ für “Großkönigin” ersetzt.
    Bereits seit der mittelassyrischen Zeit bestanden Beziehungen zwischen den Königshöfen von Assur und Hattusa. Zur Zeit Assurnasirpals II. erwachte erneut ein großes Interesse durch die Expansion nach Westen, besonders nach den “Hatti-Ländern”, die damals allerdings als Bezeichung der späthethitischen Städte Ostanatoliens und Nordsyriens galten.
    In den Königsinschriften des Assurnasirpal II. ist Šamaš mit der Inthronisation dieses Königs in Verbindung gebracht: “Zu Beginn meines Königtums, am Anfang meiner Regierung, in dem Šamaš, der Richter der vier Weltgegenden, seinen wohltuenden Schirm über mich ausbreitete, in dem ich glorreich mich auf den Königsthron setzte, und er (=Šamaš) das Szepter zum beständigen Weiden der Menschen in meine Hand legte, ….”
    Die Hervorhebung des Šamaš in diesem Zusammenhang geht wohl auf den Einfluß der hethitischen Königsideologie zurück. Diese Ausdrücke finden ihren bildlichen Niederschlag in dem oben erwähnten Relief im Thronsaal. Die geflügelte Sonne steht dort für Šamaš als den Schutzgott der Inthronisation und des Königstums. Dies gilt auch für die geflügelte Sonne, die alleinstehend als Objekt der verschiedenen Beter in der Glyptik dargesteilt ist.
  • 川崎 康司
    オリエント
    1994年 37 巻 1 号 52-70
    発行日: 1994/09/30
    公開日: 2010/03/12
    ジャーナル フリー
    This article deals with marriage contracts of Old Assyrian merchants and focusses on form analysis. Its contents can be summarized as follows:
    1. In his recent discussion of the Old Babylonian marriage, R. Westbrook has suggested that a marriage contract was in fact of “bethrothal contract”. The study of some Old Assyrian marriage contracts in combination with data in some letters and records shows that a similar interpretation is also helpful for the Old Assyrian period. Marriage procedures under the contract by which Old Assyrian traders took a woman as aššatum, “(first and main) wife”, can be distinguished in three stages: betrothal in childhood, engagement, and marriage. The woman in question was called aššatum as each stage.
    2. It is a well established fact that the community of Old Assyrian merchants also knew a “polygamous” marriage institution. It knew a formal marriage, sealed by a contract, with a woman designated as amtum who, however, was not a slave-girl owned by her husband or somebody else, as was the case in some Old Babylonian “polygamous” marriage contracts (cf. CH §146). Such amtum wives had a spacial legal status.
    3. The recently published marriage contract kt t/k 55=AKT 1 no. 77 which was indeed a contract of engagement since the final payment of šimu “prices” has not been done and “the face (of the bride) is (still) unveiled”, acquaints us with still another type of marriage. The bride most probably was a qadištum, whose contractual status seems to have belonged to some different category from that of an aššatum and an amtum. This contract reveals that the custom of “veiling” a woman in order to fix her status, known from the Middle Assyrian Laws, was already known in the old Assyrian period. The text also acquaints us with the possibility of a marriage with a woman designated as ša'itum, “(travel) companion”, who seems to have enjoyed a status of ‘lover’ different from that of the aššatum, the amtum and the qadištum.
  • リトン,2017 年 4 月,312 頁,定価 6,400 円(税別)
    三津間 康幸
    オリエント
    2018年 61 巻 1 号 58-62
    発行日: 2018/09/30
    公開日: 2021/10/01
    ジャーナル フリー
  • 川向 正人
    日本建築学会計画系論文集
    2000年 65 巻 538 号 235-242
    発行日: 2000/12/30
    公開日: 2017/02/03
    ジャーナル フリー
    This paper seeks to analyse the logical structure of Gottfried Semper's "The Four Elements of Architecture" (1851), to explicate his thought of "polychromy" and remarkable ideas of his new theory "four elements of architecture". After this new theory, he searched toward the "beginnings" of architecture to grasp at "four elements" (hearth, mound, enclosure, and roof). He tried to describe architectural histories in terms of modifications of the four elements, because he thought that relations of the four elements could not be fixed, rather that each element could metamorphose independently according to conditions of racial characteristics, climates, topographies, etc. Strictly following this theory, the "polychroay" as wall finishing should be just a kind of spatial "enclosure" as one of "four elements of architecture", and the theme "polychromy", therefore, should be subsumed by the theme "four elements of architecture".
  • 足立 拓朗
    オリエント
    2000年 43 巻 1 号 161-178
    発行日: 2000/09/30
    公開日: 2010/03/12
    ジャーナル フリー
    The aim of this paper is to examine how the expansion of Neo-Assyrian Empire had influenced the local material culture in the Levant from the 9th to 7th century B. C. The case study consists of 4 types of ceramic bowls: carinated bowls with everted rim, shallow bowls with sharp carination, bar-handled bowls and loop-handled bowls. The distribution of carinated bowls with everted rim and shallow bowls with sharp carination type 1 can be seen in Northern Mesopotamia. The distribution of shallow bowls with sharp carination type 2, bar-handled bowls and loop-handled bowls can be seen in the Levant. Their distribution patterns and their classifications reveal that the Neo-Assyrian Empire did not give a strong influence to local pottery assemblages. Based on the analysis, the only important Assyrian sites in the Levant had carinated bowls with everted rim. Tell Mastuma, which is one of the Iron Age II sites in the northwestern part of Syria, is located on the way of the Assyrian expansion to west. The bowls unearthed from Tell Mastuma should be designated as a part of the Levantine material cultures.
  • 山田 重郎
    オリエント
    1999年 42 巻 1 号 1-18
    発行日: 1999/09/30
    公開日: 2010/03/12
    ジャーナル フリー
    The setting-up of royal monuments in the course of royal expeditions is a phenomenon familiar in the history of ancient Mesopotamia. Among the royal records of various Mesopotamian rulers, the inscriptions of Shalmaneser III, king of Assyria (859-824 B. C.), are especially informative on this subject. Over fifty references of this kind in his inscriptions represent twenty historical cases of the erection of one or more monuments. In this paper I shall examine these references and discuss some aspects of the phenomenon.
    The monument is referred to as the “image (salmu)” of the king in all cases but one, where it is described as a “stela (asumettu).” The term salmu itself can denote three types of object: (1) a three-dimensional royal statue, (2) a free-standing stela bearing a relief of the royal figure, or (3) a relief engraved on a rock face (i. e. a rock relief). Nevertheless, on the basis of archaeological and iconographic evidence, it may be supposed that the monuments, especially those set up in the open, were usually stelae and rock reliefs rather than statues in the round. Some evidence indicates that the text accompanying the royal image was usually a short commemorative inscription, not a long text of the king's standard annals as found on various objects unearthed in Assyrian capitals.
    The monuments were placed at the most distant points in the course of the campaign, and were designed to perpetuate the king's arrival at the most remote places. The places chosen can be classified into two categories: (1) at conspicuous geographical features with no associated settlements (mountains, sea coast, river source, etc.); (2) in cities, especially in their sacred places (i. e. temples, etc.). Monuments, especially royal images, erected in the second type of place must have represented the Assyrian king as a worshipper in the local sanctuary. He was thus associated by his image with every act of worship performed there, both as the earthly representative of the gods and as a participant in every favour they might grant. Simultaneously, the image must have reminded the local elite of their relationship with the Assyrian overlord when they came to the place in order to take an oath before the gods or for other purposes.
  • 山田 重郎
    オリエント
    2003年 46 巻 2 号 71-91
    発行日: 2003年
    公開日: 2010/03/12
    ジャーナル フリー
    This paper examines stylistic changes and variants in the Assyrian annalistic texts written in the ninth century B. C. and discusses their historical-ideological background.
    Toward the end of the second millennium B. C., Assyrian scribes started to compose royal inscriptions in various annalistic styles. In the beginning of the ninth century B. C., each campaign record included in the text was dated by a limmu, i. e. a year eponym, by which every year was named in Assyria from the Old Assyrian period onward. Annals in the limmu-dating style reached their most mature form with the Annals of Ashurnasirpal II.
    The first four annalistic texts of his son, Shalmaneser III, were composed in a similar form, using the limmus. After that, however, the royal historiographer produced annals in a new style, with one campaign recounted each year with the heading: ina x palêya “in my xth regnal year.” This style, probably invented under the influence of the Babylonian dating system, emphasizes the king's unremitting yearly activities.
    Composing annals in this style, however, encountered difficulties, when revised versions were compiled towards the end of Shalmaneser's reign. First, the deeds of the king's commander had to be inserted into the texts in order to fill the record in years in which the commander lead the army in place of the king, who could not do it in person. Thus, the royal annals deviated from the essential form of solely recounting the res gestae of the king. Secondly, the chronological ambiguity in the concept palû, which originally means “turn, ” not “a year, ” caused some defective chronological presentations in later years of the reign. These difficulties were overcome by the invention of still another type of annals in the reign of Shamshi-Adad V, in which each campaign account was headed by ina x girriya “in my xth campaign.”
  • 条件節における接続法の用法を中心に
    渡辺 和子
    オリエント
    2013年 56 巻 1 号 55-70
    発行日: 2013/09/30
    公開日: 2016/10/01
    ジャーナル フリー
    The Tayinat Archaeological Project of Toronto University, in 2009, excavated a large clay tablet along with 10 other tablets at Tell Tayinat, Turkey, which was identified as a copy of the 'Succession Oath Documents' issued by the Assyrian king Esarhaddon in 672 BC. These documents were known through the Nimrud version published by D. J. Wiseman in 1958, and reedited by myself in 1987. As J. Lauinger, who published the Tayinat version in 2012, pointed out, the tablets were excavated in situ at the sacred precinct in the center of the mound, and had been issued to the governor of Kunalia. Through this information, Tell Tayinat was definitely identified with the ancient city Kunalia.
     The present author considers §30 (ll. 353-359), now restored by the Tayinat version, to be especially important here. The mood of the verb in line 353 of the conditional clause has proven to be indicative, not subjunctive, as I had expected before. Indicative verbs are generally used in conditional clauses led by "if" (šumma). However, the usage of subjunctive verbs in conditional clauses had not yet been elucidated in any Akkadian grammars, which had regarded the subjunctive as an expression of an oath, and in translation, merely gave instructions to omit the word "if" and to render affirmative subjunctive verbs in the negative, and negative subjunctive verbs in the affirmative.
     However, almost all of the conditional clauses in these documents are in the second person plural, and are in fact, followed by curses as apodoses, mostly placed in the latter part of the documents. Only §57 is an utterance of an oath and consists of a conditional clause (protasis) in the first person plural subjunctive, and a directly following self-curse (apodosis).
     Sometimes, with verbs in the second person plural indicative and subjunctive are combined in the same conditional clause, as in the case of §30. In my view, the indicative is used to explain certain given conditions and the subjunctive affirmative ('if you should do ...') that follows, indicates something that the speaker assumes that 'you' ought not to do ; the negative subjunctive ('if you should not do ...') expresses something that 'you' ought to do.
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