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  • 竹田 有
    アメリカ研究
    1994年 1994 巻 28 号 35-51
    発行日: 1994/03/25
    公開日: 2010/10/28
    ジャーナル フリー
  • フランク・ロイド・ライトの思索と制作
    水上 優
    日本建築学会計画系論文集
    2014年 79 巻 700 号 1449-1457
    発行日: 2014/06/30
    公開日: 2014/07/15
    ジャーナル フリー
    The intention of this paper is to figure out the relationship between Frank Lloyd Wright's architectural thought and his design through an analysis of modification system of the Prairie Houses that represent his works in the First Golden Age. The analysis consists of two main chapters as follows: Chapter 2 overviews the modification of his Prairie Houses focusing attention on several 'types' of his works that originally propounded by the author based on previous studies' three diagrams. Chapter 3 explicates his view to the nature during this period and the concept of "conventionalization" which leads his early design through an analysis of his statements at the time.
  • 三浦 伊八郎, 清水 政太郎
    林學會雑誌
    1919年 1919 巻 2 号 31-35
    発行日: 1919/10/20
    公開日: 2009/02/13
    ジャーナル フリー
  • 田中 亮平
    X線分析の進歩
    2020年 51 巻 271-277
    発行日: 2020/03/31
    公開日: 2023/07/05
    ジャーナル フリー
  • 佐藤 考一
    日本不動産学会誌
    2004年 17 巻 3 号 86-90
    発行日: 2004/02/27
    公開日: 2011/06/15
    ジャーナル フリー
    It is expected that to convert existing buildings into flats provide new dwelling types, which havenever been by new construction. In this paper, the followings indicate the roll of conversion in housingmarket. The first is a story on selecting a flat in Chicago. The second is the introduction of loftconversions that are characteristic dwelling units emerging into housing market in other countries.And the last is a case study on converting an office into flats in Tokyo.
  • 小笠原 亜衣
    アメリカ研究
    2019年 53 巻 119-145
    発行日: 2019/04/25
    公開日: 2021/09/17
    ジャーナル フリー

    This paper examines how the influence of genre-transcending Modernist artistic experiments in 1920s Paris hybridized Ernest Hemingway, locating him between the French and the American, and also between the popular and the avant-garde. The key to his popular success, and his famously simple style, was this avant-garde influence which enabled him to construct “spatial” prose—prose as architecture—by accumulating simple sentences with no decoration (adjectives), a style usually known as “hard-boiled.”

    Hemingway stayed in Paris from 1921 to 1928 and his work through the 1920s was influenced by his exposure to the avant-garde Modernist art movement there, especially through his interaction with artists of the plastic/visual arts. For example, through his then-mentor Gertrude Stein, Hemingway met Picasso and Miro; and the influences of those meetings are inscribed in his works: Hemingway structured his first collected short stories In Our Time(1925) as a Cubist painting, and wrote the final interchapter of In Our Time, “L’Envoi,” in a dream-like style reminiscent of Miro’s surrealist painting. Hemingway was also acquainted with Man Ray, the former New York Dadaist, famous for his photographic portraits of artists and celebrities in Paris. Man Ray was also experimenting with movie works and created some surrealist classics such as Le Retour a la raison(1923). Hemingway not only wrote “A Divine Gesture”(1922) under the influence of New York Dada, but also invented “cinematic prose” in “My Old Man” in In Our Time. In some stories and interchapters, he also experimented with a unique narration that can be compared to the movie camera.

    Of all the avant-garde experiments in his writing during the 1920s, Hemingway was most clear about the influence of Cezanne’s paintings. Crucially, Hemingway learned that Cezanne sought to paint what he “really” saw: that is, not an artificial representation following the Renaissance perspective method, but something that accorded with his own perceptions. Hemingway intuitively understood this intercorporeal viewpoint of Cezanne’s, and realized it himself in “Big Two-Hearted River” where he was “trying to do the country like Cezanne”(SL 12). This story depicts an American landscape in detail but wholly through the perceptions of the sole character, Nick.

    Through Cezanne’s paintings, Hemingway learned both how to write spatial prose and an intercorporeal understanding of the world. He first realized this in “Big Two-Hearted River,” where he depicted the American country that had been inscribed in his own body. Cezanne’s French bodiliness is thus connected with Hemingway’s American bodiliness. In addition, this intercorporeality is consonant with the American philosophy of Pragmatism that values physical experiences, and also can be related to the “organic architecture” of the American architect Frank Lloyd Wright. Hemingway’s spatial/corporeal prose is a blending of the French and the American, and it came to be essential throughout his career, even in his later works, in particular For Whom the Bell Tolls and The Old Man and the Sea. Thus, the foundation of this popular American writer is deeply related to his exposure to the Modernist avant-garde in 1920s Paris.

  • エンカウンター・グループとフォーカシングを中心に
    伊藤 義美
    人間と環境 電子版
    2017年 14 巻 11-20
    発行日: 2017年
    公開日: 2018/04/23
    ジャーナル フリー
    大会長講演では、次のような項目について話した。来談者中心療法と体験過程療法、最初のエ ンカウンター・グループ体験、エンカウンター・グループのメンバーとしての体験、グループ・ファ シリテーターとしての体験、エンカウンター・グループの企画と開催、私のエンカウンター・グ ループの実践と研究、エンカウンター・グループの今後の課題、フォーカシング技法との出会い、 フォーカシングの実践経験、フォーカシング・ワークショップの企画と開催、フォーカシングの 実践と研究及び訓練、フォーカシングの今後の課題、エンカウンター・グループとフォーカシン グとの協働などである。
  • 血管新生のレドックス制御機構に関する研究
    中村 宜督
    化学と生物
    2008年 46 巻 9 号 653-659
    発行日: 2008/09/01
    公開日: 2011/04/25
    ジャーナル フリー
    筆者は,2006年10月から2008年3月までの約1年半の間,アメリカ・シカゴのイリノイ大学シカゴ校薬理学科にて,特別訪問研究員として研究活動を行なった.ここでは,Dr. Masuko Ushio-Fukai 研究室おける血管新生と活性酸素依存的シグナル伝達調節に関する研究と,シカゴでの留学生活を紹介したい.
  • 和田 光弘, 林 義勝
    史学雑誌
    1995年 104 巻 5 号 1017-1024
    発行日: 1995/05/20
    公開日: 2017/11/30
    ジャーナル フリー
  • 鶴田 郁男
    木材保存
    1996年 22 巻 1 号 51-62
    発行日: 1996/01/25
    公開日: 2009/05/22
    ジャーナル フリー
  • 上野 和子
    英米文化
    2003年 33 巻 89-103
    発行日: 2003/03/31
    公開日: 2017/06/20
    ジャーナル フリー
    The Nineteenth Amendment was finally ratified in August 1920, due not only to the result of the tireless effort of women's suffrage organizations, but also to the close collaboration of various women's groups all across the United States during the Progressive Era. Many women's organizations, arising from church activities in the 1 9th century, had widen their sphere of influence, entered into a league making clear their political stances. Though it has been asumed that middle-class activists approached women unionists and elite professionals to cooperate together at the final phase, the key to the movement's success was in reality the coming of age of each women's organization to attain its own politics. To clarify this, I would like to present a historical overview on the development of women's organizations in the Progressive Era, especially focusing on Oak Park Women's Club in Illinois, the increase in women laborers, and New York 20,000 strikers in 1909 to illustrate their aims that ultimately resulted in their collaboration to effect the women's suffrage movement.
  • 牧田 知子
    日本建築学会計画系論文集
    2001年 66 巻 545 号 317-323
    発行日: 2001/07/30
    公開日: 2017/02/04
    ジャーナル フリー
    The Shingle Style, in America, the word was defined by Vincent JLSculy, was cccured after the influence of Queen Anne from England. This paper analy2ed on following 3 aspects through the activity of W. REmerson(l833-L9l7),1he Architect in New England. 1. The difference of deflninitial between Shingie Style and American Queen Anne. 2. The work of "Red Wood"(1879) in Bar Harbor by W.R Emerson was analyzed as one of most important and first successful Shingle Style in American architectural history. 3. The 30 works of W.R Emerson torn 1876 to 1896 were analysed to consider on the sense of new Americanism occured in New England after the Qvil War.
  • ―Women’s Educational and Industrial Union, Boston史料による再編主体の日米比較を視野に―
    湯澤 規子
    歴史と経済
    2020年 62 巻 3 号 4-17
    発行日: 2020/04/30
    公開日: 2022/04/30
    ジャーナル フリー

    In the modern era, the rise of industry, the birth of workers, and the rapid influx of population led to the formation of new industrial communities, which in turn caused a reorganization of “life” and “labor” according to a logic and system different than those that had previously obtained. The purpose of this study is to focus on this reorganization process and to clarify how work and life were understood, and by whom, and what position they occupied in the newly prevailing logic and systems. The research examines Japan and America during the Industrial Revolution.

    Principally, the study examines who organized the “life” and “labor” of workers and how the reproduction of labor was accomplished. Specifically, it analyzes three categories of historical material : (1) Japanese “factory statistics”, historical materials from textile factories, and surveys by prefectural bureaus on social matters ; (2) the historical documents of textile factories in Lowell, Massachusetts, and of the Women’s Educational and Industrial Union, Boston (WEIU) ; (3) Life and Labor, the journal of the National Women’s Union Trade League established in 1903.

    Chapter II focuses on the formation of industrial areas in modern Japan and clarifies their regional characteristics. It reconstructs the world of daily life of male and female workers, notably in Tokyo’s Fukagawa district. Chapter Ⅲ considers the different factors among men and women influencing the reorganization of life and labor in modern Japan, focusing on historical changes in the lives of female workers.

    Chapters Ⅳ and Ⅴ examines textile production areas in the state of Massachusetts in 18th‒ and 19th‒century America. Comparing these cases with those of Japanese female workers in their factories, the paper analyzes the world of women working in Lowell’s textile factories (Chapter Ⅳ). Next, it discusses changes in the labor market and local communities beginning in the mid‒19th century, when the number of migrant workers increased due to the women’s labor movement (Chapter Ⅴ).

    Based on this research on Japan and the United States, Chapter Ⅵ shows that the actors who reorganized workers’ lives and work differed in the two cases. A discussion follows of the background for these differences, and the paper concludes with a presentation of the significance of and prospects for discussing “living” as an aspect of political‒economic history.

  • 因子生態研究からみた1960年と1970年の比較
    樋口 忠成
    人文地理
    1979年 31 巻 1 号 5-27
    発行日: 1979/02/28
    公開日: 2009/04/28
    ジャーナル フリー
    A study of the residential structure of the American city has produced an increasing literature under the technique of factorial ecology. The study of large cities however is not enough compared to that of smaller cities because of the labor dealing vast information when taken a small area like a census tract as a observation unit.
    The auther investigated the residential structure and its spatial pattern for the Detroit metropolitan area by performing factor analysis upon 1960 and 1970 census data. Change in the structure and pattern is also studied by comparing the extracted factors and factor scores obtained at different points in time.
    The area studied is the entire Detroit Standard Metropolitan Statistical Area. (Fig. 1) The census tract is employed as a observation unit. After omission and consolidation a total of 762 tracts constitutes the analysis in 1960 and 986 in 1970. 56 variables from population characteristics available in the U.S. census of population were selected for the study. (Table 1) The same variables were chosen in the analysis for both 1960 and 1970. They are classified into 10 major categories: (1) sex and age, (2) family and household, (3) marrige status, (4) race and ethnicity, (5) mobility, (6) labor force, (7) occupation, (8) working status, (9) education and (10) family income.
    Product-moment correlation coefficients were computed for all variables. These matrixes were then subjected to principal factor method factor analysis. Eight factors were extracted in 1960 and nine in 1970, accounting cumulatively for 83% and 81% of the total variance respectively. Those factors were rotated to orthogonally to simple structure. Varimax rotation was employed. The matrixes of factor loadings are shown in Tables 2 and 3.
    The 1960 factors were interpreted as follows: (I) Family Life Cycle, (II) Racial Composition, (III) Socio-economic Status, (IV) Women in Labor Force, (V) Eastern European Immigrants, (VI) Youth Predominance, (VII) Sexual Composition and (VIII) Italians. The first three factors accounted cumulatively for more than 60% of the total variance and there was a sizable difference in significance between each of them and each of the rest.
    The 1970 factors were interpreted as follows: (I) Socio-economic Status, (II) Racial Composition, (III) Family Life Cycle, (IV) Women in Labor Force, (V) Residential Mobility, (VI) Eastern Europian Immigrants, (VIII) Sexual Composition, (IX) Youth Predominance/Italians. The first three factors were also observed as significant and accounted for about 58% of the total variance.
    In order to test the relationship between 1960 and 1970 factors, correlation coefficients were calculated and are shown in Table 4. Factor I in 1960 has strong correlation to Factor III in 1970, Factor II in 1960 to Factor II in 1970, and Factor III in 1960 to Factor I in 1970. Therefore it was confirmed that the first three factors of both years, which were Socio-economic Status, Racial Composition and Family Life Cycle were the major stable factors that explain the residential differentiation of Detroit. Minor factors of each year do not correspond clearly with each other except the factors of Women in Labor Force and East European Immigrants, which are considered to be the stable minor factors.
    The spatial patterns of the major three factors were then analysed. Prior to it the entire metropolitan area was devided into seven concentric zones numbered 1 through 7 from the C.B.D. outward and seven sectors numbered 1 through 7 from southwest to northeast, which made 49 cells. (Fig. 2) The spatial patterns of factor score distributions were examined by three steps. First, a series of analysis of variance were undertaken to judge objectively whether the factor score distributions of Socio-economic Status and Family Life Cycle correspond to concentric model or sector model.
  • ノエミ・レーモンドの果たした役割を中心に
    鈴木 敏彦, 飯田 昂平, 北澤 興一, 杉原 有紀, 齋藤 さだむ
    住総研研究論文集
    2017年 43 巻 115-126
    発行日: 2017年
    公開日: 2017/08/10
    ジャーナル オープンアクセス
    レーモンド夫妻の仕事においてノエミが果たした役割は大きい。ノエミは主にインテリアと家具を担当し,椅子,照明,テキスタイル,手すき和紙をデザインしてアントニンの建築に調和をもたらした。それぞれチェコ共和国とフランスにルーツを持ち,アメリカで絵画から建築までを追求した二人はフランク・ロイド・ライトと働き,アメリカから日本に渡り,東京でレーモンド建築設計事務所を開いた。1962年竣工の「軽井沢新スタジオ」は,今なおレーモンド・スタイルを完全に保存する唯一の作品である。所員だった北澤興一氏が受け継いだスタジオおよび所蔵品をデジタルアーカイブ化し,アントニンとノエミが実現したトータルデザインを明らかにした。
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