Spatial structure of the voids in inner blocks is investigated by recording the physical condition and interviewing to residents or owners of buildings to obtain the memories about transformation of passage and passing ways in the central area of Prague. Outline of the findings are as followings;
1. The unit of space voids and its system are identified due to difference in the height and width. Openness of the system has depends on the shape of passing ways.
2. Typology of Openness is classified to ten degrees by combination of possibility for walking through and accessibility to the tenants beside the voids. Surrounding sites of inner open spaces tend to be opened by reorganizing passing ways, while other voids are linked by small improvements and usage of the doors.
3. Period's transition from Communism to velvet revolution, openness used to be adjusted by doors in easy way, while buildings are reconstructed in order to improve the linkage to adjacent site without flexible way at present.

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「聖地巡礼」は、本来宗教的な聖地を信者が巡礼することを指しているが、現代は、アニメ、マンガの読者が、コンテンツ作品に興味を抱いて、その舞台となる場所等を巡るコンテンツツーリズムが盛況である。このような場合にも「聖地巡礼」といわれる言葉が使われている。このような使われかたについいて、日常的な場所が聖地となり趣味の延長で巡礼することで聖性を高めていく過程は異例であるとする意見もある。 しかし、「聖地巡礼」については、純粋な祈り・鎮魂のための宗教的な聖地巡礼と大衆文化に支えられた聖地巡礼という二面性をもっており、いずれの聖地巡礼も敏感に時代の世相を反映しているものだといえる。後者の場合も、現在に始まったものではなく、江戸時代の大衆文化が醸成された時代から見られる傾向である。そして、それは大衆の支持がなくなれば聖地としての価値は急激に低下し、訪れる人びとも激減してしまう。これらの点に関して、歴史的な視点から、梅若伝説の墨田・木母寺を事例として、四国遍路と比較しながら考察を加える。 そして、「聖地巡礼」として訪れる場所・地域を永続性のあるものとするには、聖地としてのストーリーが信仰にも似たカリスマ性を持ち、・ともいえる土地から引き出される霊感とか、土地に結びついた連想性、あるいは土地がもつ可能性といったものも含めた、祈りや鎮魂に通じるものがベースにあること。あるいは、時代に即応した芸能等によるプロモ―ションが大衆に支持され、自治体や地元住民の協力が得られること。さらには、人びとに受け入れられる景観に優れていることなど、重層的な条件に形づくられた場所や地域が、聖地としての永続性を保てる要件だと考えられる。

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場所と直接関わる創作活動を支援するアーティスト・イン・レジデンスの可能性を、実践者としての立場で具体的な事例を紹介しつつ、国際交流、地域研究の観点から考察する。

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 This paper is intended to comprehensively and relatively grasp the content and its position of the book Survival Through Design, as a discourse on Neutra's 【Age Recognition】. The keywords of the subjects were sorted out as a number of items and examined from the viewpoint of the hierarchical composition of the meaning, by extracting the thesis which becomes the subject from his thesis, which leads to the policy and method. 【Age Recognition】 shown in Neutra's book is consisted of the second level of five items of "environment", "civilization", "style", "construction", and "beauty". "Environment" consists of [natural environment] and [artificial environment]. "Civilization" is [technology], [technology / machine], [standardization], [product / material], [performance], [maintenance], and [user / client]. In this paper I mainly focus on the items of the second level, from the items, which are particularly mentioned and exhaustively examined in each chapter.
 First, concerning Neutra 's concept of "Environment", he shows concern about human beings being separated from "nature", and the necessity of "finding" the interrelationship of natural phenomena from "nature". In particular, it will be distinguished by the uniqueness of the collaborative "Genius Loci" in California. At the same time, Neutra shows the necessity of gazing at the individuality to each of the "nature" components according to the growth and function of "nature", "to find" harmony between growth and function in the "natural environment". In [artificial environment], he looked at production (growth) and discordance of function, and contrast with [natural environment]. Neutra raises "found out" "function founded" from "natural environment", which is different from the general modern functional theory, he said "function" to his own "biology" As a matter of fact, we have identified the "adjustment", "change" of the environment by ourselves.
 Then, as a concept about his "Civilization", although [technology] itself shows the expectation for the transformation that life brings to life and the interest in adaptation of its design, [technology] is only a means, at the same time, its progress is obviously an opportunity to lose human nature. Among them, he finds a clear difference between "standardization" by [technology] and the "unity" that responds to the characteristics of the region, that is, it leads to the authenticity of regionalism. This "unity" is a concern for altering the way of making towns and buildings by "standardization" and the act of daily life itself, he was conscious of that. And he presented consistency created by form, material, scale etc. as his own "useful scale". In other words, it can be said that Neutra positions [technology] under the interaction of nature and humanity. This is also in agreement with the second phase of Walter Benjamin's technology two stages (the first stage of which is to conquer nature).
 From the perspective of such civilization, Neutra is a necessary condition for "Survival" that Neutra is the subject, positive standardization of materials, and improvement of construction technology by the standardization taking into account the characteristics of the region. He acquired a viewpoint on harmony of both with the universality of recruitment and the individuality of the importance of the material of "raw" for the "Survival" of humanity for his architectural design.

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