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  • 田村 直之
    繊維学会誌
    2005年 61 巻 12 号 P_322-P_324
    発行日: 2005年
    公開日: 2006/02/17
    ジャーナル フリー
  • 河野 誠司
    繊維製品消費科学
    2019年 60 巻 5 号 378-381
    発行日: 2019/05/25
    公開日: 2019/05/25
    ジャーナル 認証あり
  • 張 娟, 関上 哲, 范 作冰, 小野 直達
    日本シルク学会誌
    2010年 18 巻 3-7
    発行日: 2010年
    公開日: 2011/03/18
    ジャーナル フリー
    The expansion of other industries and the development of urbanization resulted in changes in the industrial structure of the Isesaki textile and fabric production area. At the same time, there was a large reduction in the number of textile enterprises and a decline in the textile industry’s role in the regional economy. The attenuation of the textile industry highlighted the following problems regarding its production structure, namely the gradual reduction in the size of enterprises, the aging of the workforce and the serious shortage of replacements, and the weakening of the infrastructure. There are at least three ways to promote future production in the Isesaki area: First, with the opportunity provided by the ‘Meisen’ boom, various kinds of new products should be created utilizing the ‘Meisen’ technologies, which should not be limited solely to the production of kimono. Second, with the continuing attenuation of the textile industry zone, it is very important to rebuild peer awareness among counterparts in the textile industry in Isesaki. Third, it is also very important in Isesaki to use the excellent characteristics of ‘Meisen’ as a lever, and to teach and advertise ‘Meisen’ techniques to young people and thus secure successors to continue the textile industry. (Naotatsu Ono, Email: ptokotoko@tbn.t-com.ne.jp)
  • 丸岡 隆之
    デザイン学研究特集号
    2001年 8 巻 2 号 6-9
    発行日: 2001/03/31
    公開日: 2017/11/27
    研究報告書・技術報告書 フリー
  • 栗原 正博, 篠沢 健太
    ランドスケープ研究
    2022年 85 巻 5 号 561-566
    発行日: 2022/03/30
    公開日: 2022/05/13
    ジャーナル フリー

    In this paper, the authors examine the characteristics of Tone River mulberry fields in the Sawa District after the introduction of rail transport during the Meiji and Taisho eras. Railways were opened in this area during the Meiji era, facilitating transportation of products and cultivation materials such as fertilizers to wider areas. Moreover, demand for cocoons, raw silk, and Isesaki Meisen-style silk fabrics had increased overseas as well as in Japan. This drove the popularity of sericulture in Japan, and many farmers bought "mulberry leaves" to make up for mulberry leaf shortages and "mulberry seedlings" to expand mulberry gardens. Mulberry plantations for the sale of mulberry leaves, mulberry plantations for the sale of mulberry seedlings, and mulberry plantations for rent began to crop-up among sericulture farmers in greater numbers than during the period before the opening of the railways. As a result, landscapes of mixed mulberry fields and paddy fields using different farming styles spread in areas where the risk of flooding was low and sericulture and silkworm egg farmers also owned paddy fields. In contrast, only flood-resistant mulberry gardens spread in the areas adjacent to the Tone River, where the possibility of flooding was high, resulting in a different type of mulberry landscape.

  • 辻本 芳郎
    新地理
    1958年 6 巻 3 号 167-181
    発行日: 1958/01/25
    公開日: 2010/02/26
    ジャーナル フリー
  • 松下 義弘
    繊維学会誌
    2016年 72 巻 5 号 P-277-P-287
    発行日: 2016/05/10
    公開日: 2016/05/10
    ジャーナル 認証あり
  • 松下 義弘
    繊維学会誌
    2021年 77 巻 8 号 P-420-P-436
    発行日: 2021/08/15
    公開日: 2021/09/09
    ジャーナル 認証あり
  • ―いとう呉服店(松坂屋)の「百貨店」化と大衆化―
    中西 聡
    経営史学
    2012年 47 巻 3 号 3_3-3_31
    発行日: 2012年
    公開日: 2016/01/27
    ジャーナル フリー
    This paper seeks to elucidate the process through which a kimono cloth store transformed into a modern department store. Additionally, I will analyze the influence of the popularization that occurred as part of that transformation on department store management, and consider the relation between the formation of a mass-consumption society and department-store management. I shall assess the transformation from three viewpoints: (1) expansion of stores, (2) diversification of merchandise sold, and (3) the development of various functions of the department system.
    Matsuzakaya's transformation from kimono dealer to department store occurred during the 1910s. At that time another Japanese department store, Mitsukoshi, had already been established. In order to compete with Mitsukoshi, Matsuzakaya assembled a line of highgrade products, pioneered modern equipment and fixtures, and thus contributed to the formation of the “department store culture.” However, due to price surges during the final stage of World War I, as well as the economic downturn, which followed the war, there arose a desire among consumers for discount sales which outpaced the anticipation of Matsuzakaya.
    In response to that desire, Matsuzakaya advanced lines completely corresponding to the bargain sale expectation of consumers during the 1920s. Because of the intense competition among department stores during that period, Matsuzakaya adopted a completely different business strategy in which they purchased merchandise directly from the places of production, and advertised merchandise in cooperation with the places of production. As a result, from the second half of the 1920s, Matsuzakaya expanded their stores rapidly, and began to carry not only high-grade products, but also everyday items. Moreover, Matsuzakaya diversified and increased the kinds of products sold. As a result, not only the highgrade articles but also these everyday articles gradually proved to be an important profit source for Matsuzakaya.
    Finally, as a result of Matsuzakaya's pursuit of efficiencies based on cost consciousness during the Showa Depression at the beginning of the 1930s, the functioning of the merchandise department system helped Matsuzakaya to undertake an all-inclusive transformation into a department store. In light of that, I argue that the transformation into a department store and the popularization of Matsuzakaya's product line progressed in a parallel fashion, in which the two functioned in a reciprocal relationship.
  • 山内 雄気
    経営史学
    2009年 44 巻 1 号 1_3-1_30
    発行日: 2009年
    公開日: 2012/03/23
    ジャーナル フリー
    This paper examines the fashion business by focusing on the entrepreneurship of a Japanese wholesales merchant Inanishi & Co. in the 1920s in order to demonstrate the dynamism of the creation of fashion. Inanishi played a central role in making season colors and designs using the silk textile “Meisen,” which was one of the first leading commodities accepted by the masses in Japan.
    In the late 1910s department stores in Japan enjoyed increased bargaining power in the consumer market. Against the backdrop of this power they decreased the volume of trade with wholesalers while starting to deal directly with the silk textile producers. The reason for this shift was to increase the number of sales promotions and shift their strategy to fit the mass market. For that purpose they made use of Meisen.
    Inanishi was deeply concerned about their weakening power as a middleman and wanted to find a place for themselves in business relations with department stores. As the Meisen market expanded from the late 1910s, Inanishi noticed that achieving both product differentiation and mass production had become the new business challenge for the textile industry in the 1920s.
    Inanishi designed a unique fashion creation system by utilizing both silk textile producers and department stores. Inanishi tried to survive by collecting fashion information from major department stores, and then spreading it to silk textile producers by publishing the monthly magazine “Sensyoku-no-Ryuko” and organizing a textile fair twice a year. By getting information from these two channels, producers may also have been attempting to decrease the uncertainty in the distribution process. As a result of complicated interaction between the department stores, the wholesalers and the silk textile producers, the fashion creation and diffusion system was constructed.
  • 東村 篤
    四日市大学論集
    2016年 29 巻 1 号 1-44
    発行日: 2016年
    公開日: 2021/09/22
    ジャーナル フリー
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