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  • 太田 順康
    武道学研究
    1987年 20 巻 2 号 79-80
    発行日: 1987/11/30
    公開日: 2012/11/27
    ジャーナル フリー
  • 太田 順康
    武道学研究
    1984年 16 巻 1 号 3-4
    発行日: 1984/01/31
    公開日: 2012/11/27
    ジャーナル フリー
  • ――その過程と要因――
    寒川 恒夫
    組織科学
    1992年 25 巻 4 号 56-61
    発行日: 1992年
    公開日: 2022/07/15
    ジャーナル フリー
     柔道は,明治時代の初めに,嘉納治五郎がそれまでおこなわれていた柔術を,当時の欧米の中心的教育思想であった三育主義教育をモデルにして,独特の「近代教育的な日本のエスニック・スポーツ」に体系化しなおしたものである.
     本論は,この柔道が国内に普及し,また世界に拡散して国際化してゆく過程を反省して,柔道が国際化しえた要因について考えようとするものである.
  • 日本舶用機関学会誌
    1976年 11 巻 8 号 665-671
    発行日: 1976年
    公開日: 2010/05/31
    ジャーナル フリー
  • 酒井 利信
    身体運動文化研究
    2009年 14.15 巻 1 号 1-14
    発行日: 2009/09/30
    公開日: 2022/03/31
    ジャーナル フリー

    Kashima can be said to be a holy place of the martial arts, which created a distinctive sword culture centering on Kashima Shrine. The Kashima school of sword fighting that developed in Kashima is one of the most important schools in the history of Japanese sword fighting, along with the Kageryu and Ittoryu schools.

    The Kashima style of sword fighting originates in Kashimano Tachi (Kashima sword), which teaches the techniques developed by Kuninazuno Mahito, and it was renamed Kashima Jokoryu, Kashima Chukoryu, and Shintoryu (in order) as time progressed. In this paper, the Kashima school refers to the swordplay of this school.

    The Kashima school of sword fighting has too many unexplained subjects, although it is a most important one in the history of the martial arts.

    This research is intended to consider the technique of the Hitotsuno Tachi and its mythological background based on discussions about Sanro (being entrenched in a shrine) ascetic training and the Futsunomitama-no-Tsurugi (Futsunomitama sword) in the Kashima school. Books amassed by the Yoshikawa Family, including Heiho Jikansho written by Sekihei Ohtsuki in 1842, were examined for that purpose.

    The following results were obtained in this research.

    1. The technique of the Hitotsuno Tachi contained mind techniques as well as sword-wielding techniques in Shintoryu, at least during the period covered by the literature used in this research.

    2. The Hitotsuno Tachi is considered to be the art of the god of the Futsunomitama sword, which is a spiritual sword, and is based on the sacredness of this spiritual blade during the age of the gods.

    3. The Hitotsuno Tachi is a secret imparted by a god through ascetic training in a shrine in isolation from society, and its existence becomes a reality only through this relationship with the god in question. The god in this case is Takemikazuchi, who is worshiped at Kashima Shrine, and the sword that this god of warriors owns is the Futsunomitama sword. That is, it is supposed to be the Futsunomitama sword that secures the relation with Takemikazuchi.

    4. The achievements of the war god Takemikazuchi and the spiritual power of the Futsunomitama sword are related in ancient myths. The Hitotsuno Tachi placed importance on the myth of Kuniyuzuri (handing over the reigns of the country) as the mythological background in its magic, whereas the myth of the eastern expedition by Emperor Jinmu played an important role in magic rituals as the mythological background.

    5. The Futsunomitama sword is described as the spiritual sword that enabled the Kuniyuzuri in peace, and the philosophy involved in the technique of Hitotsuno Tachi seems to be almost the same.

    6. The myth of Kuniyuzuri related in Kashima, is different from what has been traditionally recognized. That is, in contrast to the tradition that Takemikazuchi demands to hand over the reigns of the country to him by sitting on the cutting edge of a spiritual sword standing hilt down, it is a distinctive tradition that demands Kuniyuzuri by sitting before a sword that stands with its cutting edge stuck into the surface of the beach. This indicates clearly the attitude of demanding Kuniyuzuri without resorting to the sword.

    7. In addition, the philosophy of this myth is closely related to the technical viewpoint of the Kashima sword school, including the Hitotsuno Tachi that asks the swordsman to put forth his body with his sword on his back. This characterizes the technique of the Kashima school, and ultimately, the Hitotsuno Tachi.

  • 榎本 鐘司
    スポーツ史研究
    1994年 7 巻 21-36
    発行日: 1994/03/31
    公開日: 2017/03/18
    ジャーナル フリー
    In the Edo period the peasants were prohibited by law from possessing weapons. Neverthless, the peasants already practiced Bujutsu in the first half of the Edo period. Documents of the MUSO-JIKIDEN Schools in the possession of the Takizawa family in a village in North Shinano have been found and analyzed by the present author. The purpose of this study is threefold:(1)To clarify what kinds of peasant in a village community practice the martial arts of the MUSO-JIKIDEN Schools. (2)To clarify what kind of Bujutsu they practice, that is to say, what is the MUSO-JIKIDEN Schools. (3)To clarify the purposes for which they practice it. Briefly, the main conclusions were as follows:(1)Many of the peasants that practiced the MUSO-JIKIDEN Schools were also the samurais of the lowest rank in the Matsushiro clan, that is to say, they were the marginal people in the villages. (2)The MUSO-JIKIDEN Schools was comprehensive bujutsu which was medieval. It consisted of jujutsu, bojutsu, iai, nawa, and so on. (3)The purpose of the MUSO-JIKIDEN Schools was primarily vocational educaion, but it was pastime and sport for many peasants in the villages.
  • 山口 彌一郎
    民族學研究
    1939年 5 巻 5-6 号 613-653
    発行日: 1939/03/15
    公開日: 2018/03/27
    ジャーナル フリー
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