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  • 梁 特治
    印度學佛教學研究
    2017年 66 巻 1 号 316-312
    発行日: 2017/12/20
    公開日: 2019/01/11
    ジャーナル フリー

    Traditionally, the original meaning attributed to the difficult expression “The Sequence of Death and Life is Orderly” found in The Record of Linji (“Instructions to the Assembly”) was “a phrase which describes the activity of somebody who acts properly according to circumstances and without hindrances, in any daily situation he/she would encounter, one after another.” In such an orderly sequence of death and life, the “four interactions between host and guest” are shown as skillful means.

    Later, the comprehension and the interpretation of this expression have been influenced, from the point of view of the history of thought, mainly by the 41st case of the Blue Cliff Records (a work produced during the Song dynasty) and especially by Mujaku.

    Dōchū’s The Dragnet of the Record of Zen master Rinzai Eshō, although generally relying on the views expressed in the “old commentaries,” nonetheless adds its own personal considerations.

  • 足立 大進
    日本消化器内視鏡学会雑誌
    1982年 24 巻 11 号 1779-1780
    発行日: 1982/11/20
    公開日: 2011/05/09
    ジャーナル フリー
  • 大徳寺高桐院庭園の構想について
    沢田 天瑞
    造園雑誌
    1975年 38 巻 4 号 9-15
    発行日: 1975/03/20
    公開日: 2011/09/13
    ジャーナル フリー
    1. Introduction
    The Koto-in is an annex-temple of the Daitokuji temple which was founded by Shoso Gyokuho in 1601. Its garden is located in front of the head master's room, with maples on the southern part and kesa-shaped plantation on the western. Here I intend to study on the conceptional relation between this garden and Zen Buddhism.
    2. The points of gardening The third head master of this temple Soi Seigan regarded the subject of this gardening as “the world of Nirvana” after the Hekigan-roku and the Daitokokushi-goroku, and further the name of this annex “Koto, ” or “transcending the ordinary world.”
    The conception ofgardening means “the supremacy of the whole universe” (cf. the 27th koan of the Hekigan-roku); the formation is based on “daily practice of the way” (cf. “Going to the lecture hall on the morning of July” of the Daito-kokushi-goroku)
    3. The subject of gardening The words “the world of Nirvana” are based on the 27th koan of the Hekigan-roku: “One day a monk came to yün-mên and said, What is the world when all the leaves of the tree have fallen down?” yün-mên re-plied, 'It is very much like the clear sky where the autumnal wind is blowing.!
    The instruction of this koan is: a Zen master must be kind enough to give ten answers to a monk who asks a single question; to free a hawk at the sight of a hare or blow a fire thinking of the wind; to teach others the Law liberally. But apart from all this, what if an excellent trainee should enter the cave of a tiger (Zen master)? I'll try to expound it. Look
    The remark of this koan is: we shall be able to realize yün-mên's koan if we have grasped it as our own matter. If not, we shall remain blind and deat to it. Did yün-mên answer his trainee like this or only make himself agreeable to the latter? If we regard the former case as true, we have mistakenly permitted the fixed star (= conception). Ifwe regard the latter as true, we have nothing to do with Truth. What is it after all? If we have freelyrealized if, we shall find ourselves in enlightenment. If not, we shall still stay in delusion.
    “In leading trainees, a Zen master should dare to. fall a prey, if necessary, to a tiger. If not, he will be unable to lead histrainees correctly. Severe, never ordinary, was the question of this monk;” for it had something supreme from the viewpoint of enlightenment. He said, “What isthe world where the leaves of the tree have all fallendown?” Among his eighteen questions this was the one which asked beyond subject and object. Quite in accordance with his question yün-mên replied, “It is very much like the clear sky where the autumnal windis blowing.” There is no gap in supremacy and clearsight between the two.
    “An ancient person said, Those who want to realize Truth completely must ask no question.” A single word to an enlightened person isenough. If we understand yün-mên's answer literally, we shall lose sight of its true meaning. His words often lead us to literal realization. If we stay in this realization, we shall lose the successors to the Way. Particularly, yün-mên answered his trainee, taking advantage of his question just as we run after a robberriding on his horse. When a monk said, ‘ What is theworld of absolute thinking?’ yün-mên answered: ‘Itis beyond our thinking.’ This is also the ease with theabove-mentioned answer. This answer is beyond conceptional grasp, such as ‘ordinary’ and ‘enlightened’.
  • 大徳寺芳春院庭園の構想について
    沢田 天瑞
    造園雑誌
    1974年 37 巻 2 号 8-14
    発行日: 1974/03/20
    公開日: 2011/07/19
    ジャーナル フリー
    1. History of Hosyun-In and Its Garden.
    Hosyun-In (=in, literally, temple) isone of the main temples of Daitoku-ji (=ji, literally also, temple). It was founded by the 142 nd Patriarch of Daitoku-ji, Gyokushitsu Sohaku in Keio 13-nen (1606).
    The Garden is composed of two parts; oneis the west garden in front of Shoin (studyroom), consisting of an artificial mountain calledGoroho (literally, five old sumlnits), apond called Houn (literally, satiated cloud) with a bridge, Dagetsu (literally, hit moon), and a two-storied building named Donkokaku (literally, swallow lake building); another is the south garden for Hojyo (abbot's quarters) planted with many Chinese balloon flowers= platycodon grandiflorum on the ground. The garden is a typical Rokaku Sansui Styled one.
    The author*, then, intends to describe the outline of reiationship between Zen concept and the garden composition in order to clearify his assumption.
    2. Assumption
    a) The Hosyun-In garden's original idea came from the Zenconcept, refferring to books of the Hekigan-roku, the Daitokokushi-goroku, and the Mumon-kan, since the Hosyun was to be the name of temple. Thus, the meaning of Hosyun as found in the quotations.b) Yuzan Gansui (literally, wanderabout mountains) and lakes was selected forsubject of the garden by the founder priest.
    c) Therefore, the story about garden subject is defined by the book of Hekigan-roku of NO.34 principle, Kyozan Katsute Yusan Sezu No Honsoku and its Jyu (a Zen dialouge between Priest yozan and his disciples; what Yusan Gansui does mean to us?)
    d) According to the above idea, the layout of garden was arranged. Thus it was defined by the principles of Nigatsutanjyodo, Daitokokushi-goroku and Self-intro-duction of Mumon-kan.
    3. Conclusion.
    a) The artificial mountain, Goroho, was constructed as an expression of the NO.34 principle of Kyozan Katsute Yusan Sezu No Honsokufrom the bookof Hekigan-roku.
    c) The over-looked view or pattern fromthe two-storied tower, Donko-kaku, therefore, expresses an imaginary landscape ofassumption (a) and (b).
    d) The south garden for Hojyo symboiises a landscape of Zujy 6 Manman Kyakka Manman, planting by manyChinese balloon flowers.
    e) The two-stories tower, Donko-kaku, was buiit to be expressed the concept ofNigatsutanjyodo from the Daitokokushi-goroku.
    f) The bridge, Dagetsu, based on theMumon-kan, Self-introduction.
  • 石渡 信太郎
    燃料協会誌
    1950年 29 巻 7-8 号 155
    発行日: 1950/08/31
    公開日: 2010/06/28
    ジャーナル フリー
  • 大徳寺聚光院庭園の構想について
    澤田 天瑞
    造園雑誌
    1974年 38 巻 1 号 11-18
    発行日: 1974/07/20
    公開日: 2011/07/19
    ジャーナル フリー
    The Jukoin Garden shows the dry landscape (Karesansui) style, characteristic of the Rinzai Zen Buddhism. It was built by Shuto Dairin, 90th chief priest of the Daitokuji temple.
    The subject of this garden means a “true man of no-rank”-the essential thought of the Rinzai Zen Buddhism-whose source is in the Rinzairoku1 and Hekiganroku.
    The conception of it is the“free function of the Rinzai Zen Buddhism” coming from the 32nd Koan of the Hekiganroku-Questions and Answers between Senior Priest JO and Rinzai2.
    The formation means the“strenuous practice of zazen” starting from the 20th Koan of the Hekiganroku-the True Intention Bodhidharma's Coming to China Asked by Ryuge3, and from the 33rd Koan of the Hekiganroku-Secretary chin's Seeing Shifuku4-and the Rinzairoku.Notes;
    1. Volume 1 Compiled by Enen SanshO who wrote about the Buddhist words of Gigen Rinzai.
    2. When Senior Priest JO said to Rinzai, “What is the main meaning of Buddhism?” Rinzai descended from his seat, seized JO, gave him a slap and let him go.
    3. When Ryuge said to Suibi, “What is the true intention of Bodhidharma's Coming of China?” Rinzai said, “Bring me a Zen stick.”
    4. When Shifuku, seeing Secretary Chin coming towards him, drew a round shape in the air.
  • 龍安寺庭園の構想について
    沢田 天瑞
    造園雑誌
    1974年 37 巻 4 号 2-12
    発行日: 1974/03/31
    公開日: 2011/07/19
    ジャーナル フリー
    The Ryoanji Garden is composed of a pond, a fountain and various stones; all of them are characteristic of the Rinzai Zen Buddhism. This garden did Gensho Giten, the founder of this Ryoanji temple, build in order to enhance the essence of the Myoshinji school.
    The subject of this garden means the Buddha himself who originates in Zen texts, such as the Soeishu, Hekiganroku, and Gokeshoshiisan.
    The conception of it is the “realization of our inner Buddha-nature” originating in the 7th Kean of the Hekiganroku-the Meaning of the Buddha Asked by Echo.
    Its formation means the “freedom from literal attachment “and the” transmission of the Buddhamind beyond his teachings” coming from the 18th Koan of the Hekiganrokuthe Stupa of No-form by Echu-kokushi-and the Answers of National Teacher Echu in the Soeishic, and Mitsuan Kantetsu in the Gokeshushrsan.
  • 栗本 眞好
    印度學佛教學研究
    2019年 67 巻 2 号 815-812
    発行日: 2019/03/20
    公開日: 2019/09/20
    ジャーナル フリー

    Since the Zen sect arrived in Japan during the Kamakura period, Zen temples have played the role of a place for samurai to study Bushidō and neo-Confucian philosophy.

    By the Meiji restoration, the role of the temple as an academic place was much reduced, but it did not change even after the restoration, and among the so-called “right wing” who kept longing for Bushidō, Zen meditation held an important place.

    Although he decided to become an activist of the armed communist party and dropped out of Tokyo Imperial university, Tanaka Kiyoharau who turned from leftist ideas to conservation, Tokyo Imperial University, Uesugi Shinkichi’s “emperor sovereign theory” was depressed, Uesugi after death, he studied under Inoue Nisyo, was questioned responsibility for conviction to the clan team case, and two of Yoshitaka Yotsumoto who served as prisoners, in the young age, Yamamoto Genpo who was a priest of Ryotakuji in Shizuoka prefecture I will refer to the footprints that became big fixers to move the successive regimes after the war based on what I realized through his experiences, from the standpoint of those who studied at the sect school of graduate schools of zen sect.

  • 酒井 利信
    武道学研究
    1992年 24 巻 3 号 26-34
    発行日: 1992/03/31
    公開日: 2012/11/27
    ジャーナル フリー
    In the Middle ages, Kenjutsu schools were formed by a man of genius who played an active part in the Warring States period. And with this formation, a view of swords that involved skills was formed. This did not exist before the Middle ages.
    The purpose of this study is to clarify a view of swords in the 16th and 17th centuries. In order to clarify this whole structure, I analyzed the structure that symbolized swords.
    The results can be summarized as follows.
    1. As time passed, symbolic swords became abstract, but the object of representation became concrete.
    2. A view of swords in this time can be divided into three classes, those are that of a subconscious awareness, that of common understanding, and that of real activities. The feature of this time is the class of real activities, that is, a view of swords that involved skills. This structure also has relation to mindcontrol.
  • 斎藤 毅憲
    オフィス・オートメーション
    1983年 4 巻 3 号 53-56
    発行日: 1983/08/31
    公開日: 2019/01/15
    ジャーナル フリー
  • 黒川 利雄
    胃癌と集団検診
    1975年 1975 巻 30 号 14-17
    発行日: 1975/06/30
    公開日: 2012/12/11
    ジャーナル フリー
  • 戦前・戦後のアジアにおける連続性と断絶
    坂井田 夕起子, 小島 敬裕, ランジャナ ムコパディヤーヤ, 石井 公成
    宗教研究
    2021年 94 巻 Suppl 号 8-21
    発行日: 2021/03/30
    公開日: 2021/03/31
    ジャーナル フリー
  • 斎藤 昭俊
    智山学報
    1969年 17 巻 45-70
    発行日: 1969/03/30
    公開日: 2017/08/31
    ジャーナル フリー
  • 中世文学
    1966年 11 巻 25-55
    発行日: 1966年
    公開日: 2018/02/09
    ジャーナル フリー
  • 小林 あづみ
    名古屋文理大学紀要
    2019年 19 巻 11-41
    発行日: 2019/03/31
    公開日: 2021/03/01
    研究報告書・技術報告書 フリー
    近代日本における実業家・古美術コレクターとして著名な原富太郎(三溪、1868年 -1939年)と高山寺との関係について、絵画作品の点から考察した。三溪は高山寺の中興開祖である明恵上人の七百年遠忌(1931年)に、六祖慧能像を描き寄進した。その画は、彼が模写した高山寺所蔵の明恵上人像や高山寺印のある出山釈迦像と同様に、3点の特徴を持つ。  1 .極度の苦行の跡を示さない 2 .冥想・坐禅する姿ではない 3 .光彩を放ち崇拝される姿ではない 彼の描いたこれらの仏教画は一種の自画像であり、シビアな生糸業界で得た人生観と蒐集した古美術の美によって洗練された仏教(美術)観のあらわれであった。それは当時の高名な禅僧たちも高い境地として認めるレヴェルに達していた。また、六祖慧能像に寄せた賛「本来無一物」を彼は心にとどめ、この語が具現化した長次郎作の茶碗「無一物」を入手し愛用した。三溪は、明恵上人や禅僧たちのように坐禅を行わなかったが、高山寺所縁の作品を手元に置き、模写し、自身の投影として画を描くことで高山寺や明恵上人を自らに近しいものとし続けていた。
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