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  • 古積 博, 坂本 尚史
    総合危機管理
    2018年 2 巻 49-56
    発行日: 2018/03/11
    公開日: 2019/12/26
    ジャーナル フリー
    巨大地震が発生した場合、石油コンビナートは大きな被害を受ける。他方、公設消防は、コンビナート災害に対応できない可能性が大きい。そのため、石油タンクや石油施設が被害を受けた場合、長時間にわたって火災が続く可能性がある。そこで、著者は、石油類に不溶な浮遊ビーズをタンクへ投入して、火災発生の防止、抑制、ボイルオーバー防止策を検討した。直径0.3mまでの大きさの容器にヘプタン、軽油等を入れて液体の蒸発速度、燃焼時の燃焼速度及びボイルオーバーの起こり易さ、激しさ等を測定した。その結果、以下のことが明らかにできた。1) 液体の蒸発速度はビーズの投入で減少し、その引火点が上昇した。その結果、石油類の漏えい、タンク浮屋根の沈下の際でも、火災発生の危険が低下する。2) ビーズ投入で火災発生後の燃焼速度は減少し、周囲への放射熱が減少した。3) 軽油では、ビーズ投入によってボイルオーバーの発生が抑制できた。
  • ――藤岡弘、対 庵野秀明――
    横山 孝一
    群馬高専レビュー
    2023年 42 巻 29-48
    発行日: 2023年
    公開日: 2024/04/03
    研究報告書・技術報告書 オープンアクセス
    On March 17, 2023, the long-awaited Shin Kamen Rider or Shin Masked Rider, directed by Hideaki ANNO (1960-), Japan's leading animator and filmmaker, was finally released. As a big fan of Kamen Rider as well as ANNO's legendary Evangelion series, I went to see the movie, only to find it disappointing. Contrary to my ideal Kamen Rider image, ANNO's new / true (which are the meanings of the Japanese word shin) Masked Rider turned out to be so feeble, just as the manly character of Susumu KODAI was changed into such a tearful weakling by Harutoshi FUKUI in the 21st century reboot version of Space Battleship Yamato. Their good intentions are clear: reviewing Japan's militarism during WWII, both ANNO and FUKUI tried re-creating the famous characters, eliminating the belligerent elements they firmly believed to be bad. Although their attitudes might be politically correct, the results would be boring with anticlimaxes, while the cinema audience really wanted to see the heroes' brave fights with great determination. Shotaro ISHINOMORI (1938-98), the late manga artist who designed the superhero, would have supported ANNO's Shin Kamen Rider, because he was possessed by the same pacific belief as a typical Japanese postwar democrat. Just like ANNO, I (1966-) was fortunate enough to enjoy the first Kamen Rider series, from the very first episode aired on April 3, 1971 to the last of Kamen Rider V3, which ended on February 9, 1974, when the true identity of Shocker and Deathtron's boss proved to be Satan himself. Which means Hideaki ANNO turned the Devil into a human being named Ichiro MIDORIKAWA, who only hoped to make the world a better place. Therefore it is natural that the fighting against SHOCKER tends to be not only anticlimactic but also melancholic in ANNO's new Rider film. The original TV series was written not by Shotaro ISHINOMORI, but mainly by Masaru IGAMI (1931-91), who was good at samurai dramas. It was IGAMI that created the strict father figure of Tobei TACHIBANA wonderfully played by Akiji KOBAYASHI (1930-96) and that wrote about the unforgettable Kamen Rider Kid Corps, which ANNO completely ignored. The true Masked Rider was played by Hiroshi FUJIOKA (1946-), one of the most masculine living Japanese actors, who continued to act Takeshi HONGO in Toei's 2021 authentic Rider movie at the age of 75. As he has discovered and embodied it in his career, I must say the very essence of Kamen Rider is the soul of a samurai.
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