This study was conducted to consider the factors related to change in Noh stage style using <<
johakyu go dan>> (
johakyu five parts), which was established by Zeami (1363-1443) as “The grammar of Noh.” To this end, we examined the relations between Noh stage (
jo zone,
ha zone, and
kyu zone) and musical accompaniment and dancing by employing three-dimensional computer graphics (3DCG) and statistical methods.
Research was conducted with emphasis on the relation between the following two points as a method to clarify the factors of change in Noh stage after Zeami’s time. 1) Zeami changed ancient Chinese three-part <
johakyu> to the five-part style of <<
johakyu go dan>>, incorporated it into Noh scripts with dancing, chanting, and musical accompaniment, and formulated the basic principle: “The grammar of Noh.” 2) Areas for <
johakyu> exist on a Noh stage, each of which has a conventional direction method. It is designed to enhance stage effects to a great degree.
The following findings were obtained:
1. We tried to extract <
johakyu> from data of small hand drums, shouts, and dancing. The results led us to observe the following characteristics of <
johakyu>: “The part of
jo is light, and the expression is slightly rough, ” “
Ha delicately folds ups and down, adds a little relaxation, and keeps a moderate speed, ” and “
Kyu is very fast and tense, and the tempo becomes faster.” Furthermore, in the part called “
kuse” in which the most characteristic acting is performed in a Noh drama, the characteristics of <<
johakyu go dan>> were noticed clearly.
2. Results of statistical analysis revealed correlation existed between each zone and each area of <
johakyu> of Noh stage and dancing and musical accompaniment (small hand drums and shouts) of <<
johakyu go dan>>. Therefore, we found that <<
johakyu go dan>> might be involved in change in Noh stage style.
Noh was mainly a Shinto ritual until the Heian period (794-1185). It had been developed and initiated by shrines and temples. After the Kamakura period (1185-1333), public entertainment such as
Kanjin (temple solicitation)-Noh performance rose suddenly and reached its prime during the Muromachi period (1336-1573). Coupled with that, shoguns and court nobles came to play the role of Noh supporters instead of shrines and temples. <<
Johakyu go dan>> was effective to attract shoguns and nobles with performance as seen in
Fushikaden written by Zeami. It is considered that the construction of stage space was necessary to practice <<
johakyu go dan>> effectively.
抄録全体を表示