Abstract
This paper analyses collaboration of sculptors in Sculpture Symposia held in 1970s and 1980s. The outcomes of these symposia are more like landscape design rather than pure sculpture. Thus, it is important to review the movement with its ideas and methods as well as its outcomes as part of the landscape design history. In conclusion, sculptors sought for the anonymous design which did not depends on the certain individual, but depends on the unified ideas of participating artists through discussion, with respect to the public landscape. This shows an important fact when we deal with the quality of landscape design.
