The Idea of “Shin-Kabuki” (New-Kabuki)

Abstract

We tend to evaluate “Shin-Kabuki” only as literary work. However, audiences havealways more moved by the sounds and sights of the presentation. Therefore, it is important to direct our attention to the new scenery and stage-lighting techniques which were influenced by western oil paintings and new technologies. With these techniques the Japanese audiences saw more realistic, as well as a more variety of images than before. Nineteenth century theatres cannot be discussed without including these new styles. Matsui Syouyou, who went to study to Europe, decided to make use of these new styles. He was clearly aware that the styles would be considered “strange thing” (hen-na-mono) by traditional Kabuki audiences. Matsui wanted to become the first Japanese stage manager. One of the elements of this unusual style was to add fresh and original words and lines, changings the actor's style of speech, and even the audience's listening. As these new techniques and interpretations spread, they transfigured “Classical Kabuki”.