Abstract
The idea of body should be included in the set of concepts that the
early Nishida developed through the notion of “one field of experience.”
His later philosophy also sees the self as “one field” of mutual
interactions, which signifies collaborations of free individuals that
constitute the real world. What Nishida lays out as his philosophical
standpoint in The Study of the Good, which regards the unique, original,
and creative activity of the “one field/place of experience” as the true
reality, fundamentally remains the same throughout his oeuvre. His
mature works, however, emphasizes that this creative activity is that
which denies and remakes existing reality. Nishida calls this “historical
production,” in relation to which he further developed his insight into the
notion of the “body.” He argues that the body is the center of gravity in
the productive process, where various moments express themselves
through their mutual collaborations. This communal “form” of embodied
self or the “historical body” is also understood in terms of “society.” A collaboration between self and other is realized through the negation of
their mutual desire to control others. Only then, the self can truly be
what it is (in relation with the other). Nishidaʼs philosophy of body, thus,
shows that our own body expresses, both by itself and beyond, the
impossibility of autonomously controlling oneself and others.