2023 Volume 108 Pages 17-30
In this paper I analyze statements about Edogawa Rampo and his work “Injū” to locate Edogawa's correct position in the history of detective fiction. First, I consider the merits of his work from the viewpoint of artistry rather than the presentation of contemporary riddles or tricks, although it was published as a detective novel. Secondly, by following sentiments expressed in advertisements for this story, I follow the descent of “Injū” in critical opinion, from high art to literary obscenity. Finally, I concluded that the rereading of “Injū” was not a change in style but a reorganization of literary norms, and that it also prompted a renewal of Rampo's image as an author, and that the discursive space surrounding this work was the only screen that reflected the literary trends of the transitional period in this field, as well as a performative space for rewriting the image of the author.
