Toyo ongaku kenkyu : the journal of the Society for the Research of Asiatic Music
Online ISSN : 1884-0272
Print ISSN : 0039-3851
ISSN-L : 0039-3851
The Introduction of Chinese Drama into Ryukyu
Fulin LIU
Author information
JOURNAL FREE ACCESS

2007 Volume 2007 Issue 72 Pages 83-95

Details
Abstract

The tributary relationship between Ryukyu and China began in 1372. In 1634, a Ryukyuan legation first went up to Edo (modern-day Tokyo). Influenced by China and Japan, Ryukyu formed its own culture in various forms.
Kumiodori is a form of traditional drama combining musical, dance and theatrical elements. In previous comparative studies between Kumiodori and Noh, most Japanese researchers have advanced the theory that Kumiodori was influenced by Noh. A few studies have considered the relation between Kumiodori and Chinese drama, however, a thorough research on the historical status of Chinese drama in Ryukyu has yet to be made.
Based on historical material, this paper analyzes the impact of Chinese drama on the formation of Ryukyu Kumiodori through studying the introduction of Chinese dramas into Ryukyu.
According to the reports of visits to Ryukyu recorded by Chinese investiture emissaries, from the second half of the 16th century to the early 17th century, Chinese dramas had already been introduced into Ryukyu and performed in Ryukyu.
On the basis of the historical documents of Ryukyuan legations going up to Edo, Ryukyuan people had played Chinese music and drama when they were in Edo.
In conclusion, we can deduce that Chinese dramas had an influence on the creation of Kumiodori.

Content from these authors
© The Society for Research in Asiatic Music (Toyo Ongaku Gakkai, TOG)
Previous article Next article
feedback
Top