Bulletin of the Japan Music Expression Society

Bulletin of the Japan Music Expression Society

Published by Japan Music Expression Society

63 registered articles
(updated on August 16, 2026)

Online ISSN : 2435-1067
Print ISSN : 1348-9038

JOURNAL PEER REVIEWED FREE ACCESS

Hans Leygraf’s Philosophical Perspectives on Musical Interpretation Asami INAKAGATA
William Byrd’s treatment of verse in part songs adapting his own consort songs Yoko MOMIYAMA

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Most viewed articles (July 2026)

1

The Passage and Establishment of Rock Music from the 1950s to the 1970s through a Comparison with Modern European Classical Music

Released on J-STAGE: May 25, 2020 | Volume 5 Pages 55-68

Takeshi SAITO
2

Conceptualization of Humanbeatbox in Japan

Released on J-STAGE: November 30, 2020 | Volume 17 Pages 33-52

Yoichi KAWAMOTO
3

What kind of game is John Zorn’s “Cobra”?

Released on J-STAGE: May 25, 2020 | Volume 15 Pages 55-72

Daisuke TERAUCHI
3

Word-settings and English Pronunciation for Handel's Messiah in the Light of Elision

Released on J-STAGE: May 25, 2020 | Volume 13 Pages 1-12

Yoko MOMIYAMA
5

On the reception of Modern French Music in the prewar Showa Era

Released on J-STAGE: May 25, 2020 | Volume 4 Pages 1-14

Hitomi SANO

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