Abstract
Ceramics have developed alongside human civilization and remain a vital
cultural heritage. However, due to their fragile physical properties, they are
often discovered as fragmented shards. This study focuses particularly on
ceramic fragments that were deliberately discarded for failing to meet the
artistic standards of their time. As an innovative approach to restoring such
damaged ceramics, this research introduces the concept of generative
restoration. While conventional ceramic restoration emphasizes reproducing
or preserving the original form, this study explores an alternative
methodology that creatively interprets broken boundaries and assigns new
design value to them. To achieve this, ceramic fragments excavated from
traditional Korean kiln sites were collected and restored using 3D scanning
and digital fabrication techniques. Inspired by biological wound-healing
processes, a digital generative simulation was applied, enabling the
fragmented sections to self-proliferation and form new organic structures.
This approach aims to transcend the rigid frameworks of traditional ceramic
restoration, proposing a hybrid restoration method that merges historical
traces with contemporary technology. By investigating the intersection of
traditional craftsmanship and digital techniques, this study suggests a new
restoration method that elevates ceramic imperfection as an aesthetic
element. Ultimately, it seeks to provoke a formative discourse on the
convergence of seemingly opposing values.