Abstract
This paper aims to focus on and examine the interaction between dance and images on stage.
The use of images in dance works on stage shakes the original sense of live performance by
pluralizing time and space. In other words, by creating a space and dimension other than what
is happening on stage, the sense of live performance is multilayered. The linkage between the body
movements and the images gives the audience the illusion that the boundary between the world in the
images and the real world disappears, and the audience feels a sense of immersion and enjoyment in
speculating on the timing of the linkage between the images and the dancers in each scene, stirring
their imagination and expanding their physical senses and imagination (creativity).
