日本オーラル・ヒストリー研究
Online ISSN : 2433-3026
Print ISSN : 1882-3033
オーラル・ヒストリーと音楽からみる「神明社神楽」の近現代史 : 『三韓座』における幕末鼓笛隊の影響と戦後改編
川崎 瑞穂
著者情報
ジャーナル フリー

2014 年 10 巻 p. 121-141

詳細
抄録
In the Arakawa-Shiroku area (located in the City of Chichibu, Saitama prefecture), there is an old kagura (local Shinto-based folk performing art), called "Shinmeisha-Kagura". Because of the lack of documentation, it is difficult to understand this kagura's history. "Sankanza", one of the Kagura repertoires, depicts a legend in which Jingiakogo conquered the ancient Korean peninsula (so-called "Sankan-seibatsu"). Interestingly, this musical program "Choren" includes a melody from the drum and fife corps from the late Edo period, for example, a melody in "Oranda-Gakutai" (from Chiba prefecture). In addition, under international influence after World War II, this program was reorganized by Hamanaka Yadenji, a mentor of the successors of this Kagura. In this paper, I would like to clarify the process of the development of Shinmeisha-Kagura in modern times through the analysis of "Sankanza".
著者関連情報
© 2014 日本オーラル・ヒストリー学会
前の記事 次の記事
feedback
Top