Abstract
This paper is intended as an investigation of the use of "Qi" energy, as found in Japanese art form of body techique. In contrast to the Western approach to sports training, based on muscle development. The Japanese deffers in that the quality of power, which refrains muscle emergy, is refereed to as "the use of power". This can be found in relaxing power of "Qi". As long as muscle is considered to be the principle of power; the human capacity of movement will decline with the physiological muscle deterioration. When using "Qi" energy ones ability is not affected by muscle weaking. Which suggests the body can developed throughout one's life span. Western body aesthetics and muscle movement can be seen in the work of Greek sculptors, who modeled their works on yong athletes, which are considered to be representation of ideal beauty in the Western world. In contrast to the Japanese ideal image desplayed by Buddist statues, in which beautiful silence and peaceful impressions are captured, these qualities are often modeled on aging men. Japanese sensibility which values natural harmony can be seen in the Japanese body technique of "Qi". All four limbs of muscles are under controlled of voluntary nervous system which is intentionally controlled by one's self. Therefore the body technique which is based on muscle power, when the world appers conqured uuder man's intention, and the relationship of the world and the individual appear to be "conquer" and "conqured". On the other hand, when useing the "Qi" method of respiration, entrusting oneself to the natural flow within the body which cannot be controlled intentionaly. This demonstrates the use of "Qi" where the innner nature within the body and outer nature of the world become synchronized. The two worlds of the individual and his environment become one. Consequently, this principal of body technique distinguishes the characteristics of Wentern culture and Japanese culture.
