Japanese Review of Cultural Anthropology
Online ISSN : 2424-0494
Print ISSN : 2432-5112
ISSN-L : 2432-5112
Submitted Article
Design of Japanese Monkeys during the Edo Era
Why were the Monkeys in Costumes and Family Crests Non-photorealistic?
Hideshi OgawaHaruko Ogawa
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JOURNAL FREE ACCESS

2023 Volume 23 Issue 2 Pages 89-135

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Abstract

Japanese monkeys have been variously regarded as hunting targets, crop raiders, deities, and cheap imitators and depicted in statues, pictures, costumes, and kamon (a Japanese family crest). In contrast to the realistic depictions in pictures, simple objects or designs have been used to represent Japanese monkeys. The kukuri-zaru ornament has been composed of two cloths, widely distributed, and used as a component in ritualsof the koshin faith, as a lucky charm, and a toy. The kukuri-zaru design was illustrated by making the kukuri-zaru ornament simpler, composed of two crescents, drawn on costumes, papers, and sword guards, and popular during the Edo era. Saru-mon (kamon using a monkey motif) consists of one or three kukuri-zaru designs. They are all non-photorealistic because of the abstract perception of the monkeys. Japanese people avoided the frequent use of realistic monkeys in kamon because monkeys are morphologically and phylogenetically close to humans.

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2023 Japanese Society of Cultural Anthropology
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