Interactional Function of Chant in Passing Heavy Objects

Abstract

This paper aims to analyze the interactive function of chant employed during the exchange of heavy objects, as exemplified in Abe's work [2], within the context of a local community. To achieve this objective, a specific case study is drawn upon: the "boya" delivery scene within the preparatory stages of a festival, as outlined by Abe [2]. Through an examination of the interactional dynamics inherent in the vocal calls during this scene, the study identifies potential interactional functions. These functions encompass the following possibilities: firstly, signaling the transition of the "boya" carrier to a second-person role; secondly, indicating the bearer's comprehension of the delivery method; thirdly, foreshadowing the imminent initiation of delivery to a third party; and fourthly, establishing a rhythmic tempo for the activity. The research proposes an ordering of these functions. Lastly, the discourse delves into the significance of vocalizations within local communities. This inquiry is approached from two key perspectives: the contributions of vocalizations to the components of a festival, and their role as a means for external observers to discern and acknowledge the essence of the festival.