抄録
This paper, based on a combination of documentation and induction using related data, discusses the evolution of wushu taolu in the Great Cultural Revolution and the invention of Competitive Wushu Taolu. The key nodes on the timeline of the Great Cultural Revolution are selected to narrate specific events of the evolution of wushu taolu. The alternations in the rules for wushu taolu competition before, in and after the Great Cultural Revolution are used to expound the changes in the physical techniques for wushu taolu and its derivative, Competitive Wushu Taolu. By comparing Revolutionary Model Opera and Competitive Wushu Taolu, the invention of Competitive Wushu Taolu is quested. The implementation of the physical activities is under the domination of social ideology, while the changes of physical activities reflect the vicissitudes of the society. Hence, invented immersed in China’s mainstream social ideology, Competitive Wushu Taolu is definitely engraved with the factors of the corresponding times. Therefore, the orientations and changes of China’s social culture in different times can be explored through the evolution of the body techniques of Competitive Wushu Taolu.
