抄録
Anthropocene has become an environmental buzzword since the atmospheric chemist, and Nobel Prize laureate, Paul Crutzen introduced it in 2000. The word has soon picked up by internationally well-known curators for the theme of the international art exhibitions in response to an increase in environmental art addressing the crisis of the Climate Change and the threat of biodiversity. As a report for the symposium, “Anthropocene”, I will examine the current various environmental art in the age of climate change, and the evaluation of it from the viewpoint of environmental ethics and refer to the recent debate of environmental aesthetics.
