eizogaku

eizogaku

Published by Japan Society of Image Arts and Sciences

670 registered articles
(updated on October 14, 2026)

Online ISSN : 2189-6542
Print ISSN : 0286-0279
ISSN-L : 0286-0279

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2026 Volume 116

Performing Submission as Resistance to Hypnotism: Staircases and Gender Representation in The Pirate (1948) Daichi ARASHIRO
The Struggle Between Video Screening and Censorship: A Case Study of Visual Culture in Shaanxi Province, China, in the 1990s Yang ZHAO
Two Anxieties in Japanese Mockumentary Horror Video: Focusing on Terauchi Kôtarô's Works Noriaki MIYAMOTO
Public Myths of Femininity in Swedish Film Discourse: Pauline Brunius, Maternalism, and the Emergence of Early Children’s Film Taichi NIIBORI

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Most viewed articles (September 2026)

1

“Danchi Wife” in Nikkatsu Roman Porno: Kazuko Shirakawa and the Danchi Wife Image

Released on J-STAGE: November 19, 2019 | Volume 102 Pages 137-154

Tsubura IMAI
2

Narratives of “Danchi Wife”: Postwar History of Nikkatsu Roman Poruno Discourse

Released on J-STAGE: August 25, 2020 | Volume 104 Pages 95-113

Tsubura IMAI
3

Media Art and Freedom of Expression

Released on J-STAGE: August 25, 2020 | Volume 104 Pages 20-30

Machiko KUSAHARA
4

Two Anxieties in Japanese Mockumentary Horror Video: Focusing on Terauchi Kôtarô's Works

Released on J-STAGE: September 26, 2026 | Volume 116 Pages 10-15

Noriaki MIYAMOTO
5

Costume as Film Text: In the Case of Koreyoshi Kurahara’s I Hate But Love

Released on J-STAGE: August 25, 2021 | Volume 106 Pages 98-119

Chihiro TATSUMI

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ICONICS - International Studies of the Modern Image -

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